PROSPECT — Every day is Halloween for Leon Seymour, executive director of the Friends of Fort Knox, the group that transforms the fort each October into an elaborate haunted house tour. Seymour, who took the job 14 years ago, knew Fort Knox had the creepy potential to become more than just a tourist destination for war buffs. With its tight passageways and stony gloom, Fort Knox was the perfect setting for a scary thrill ride — it just needed someone with a twisted imagination to conceive of another marketable use.

“Here’s the story,” Seymour began. “When I was a kid, I loved Halloween. I’d work for months to get my costume ready, but, half of the Halloweens, I’d come down sick and couldn’t go out.”

For 14 years, he has been making up for lost time with Fright at the Fort, which last year shuffled 8,200 people through the tour over the course of two weekends, bringing in more than $72,000. Fright at the Fort proceeds support the ongoing mission of the Friends of Fort Knox to preserve and restore the fort and enhance its education, cultural and economic value to the people of Maine.

“It’s grown in complexity, year after year,” he said. “People come back every year, so you’ve got to show them something different and keep them excited.”

It’s just a few days before Fright at the Fort kicks off its 2013 season, Friday, Oct. 18. Seymour is like a little kid again leading a daylight tour of the fort, as staff and volunteers set up elaborate props and staging.

“Make sure that zombie baby is tied down,” he instructs one of his staff, pointing to a hideous creature that sits tucked in one of the narrow stone windows. “Or else somebody will walk off with it.”

He dreams up a different theme each year. This year’s theme is the Black Plague, circa 1347.

“The Penobscot Job Corps has been working with me to put it together this year,” he said. “We’re going to have stacked bodies, cots, straw bales strewn around. We’ve got a wooden cart with wooden wheels to bring out the dead. And a few surprises,” he says with a sinister chuckle. This is a guy who really gets into it.

“Nobody has done the Black Plague theme. You can’t just go to a Halloween store and buy plague props,” he said.

All year he has been making his own props, as well as buying big ticket items for the upcoming event, having them delivered by freight from out of state.

Just outside of the Spider Tunnel, a few men are standing on staging, working on the Fort’s masonry.

“They’re not part of the Fright crew,” Seymour explains. “They’re actually repairing the masonry. Many of the Fort’s repairs come out of the net proceeds we make each year from Fright at the Fort.”

Browsing the Fright at the Fort FAQs, an honest to God question people have asked is: “Will I be injured, dismembered or killed at your event?”

The answer, if you’re worried, is: No. In addition to their security staff, they also have at least one EMT and one police officer on staff.

But that’s the kind of thrilling unease that brings in people in droves from all over the state and country. No haunted house tour in the country can beat the Fright at the Fort experience. The Fort’s natural haunting, stone cold architecture is of course, a major factor. But Fright at the Fort’s 100 or so volunteers bring their A-game, from set decorators to live costumed “Haunters,” who make the most out of jumping out of dark, confined spaces. For 35 minutes, participants will wind through spooky corridors, in and out of buildings, experiencing fake blood, zombies, violence, gore, loud noises, gunfire, strobe lights, darkness, fog and chaos.

For Seymour, a fan of science fiction and most Halloween genres, he tests out each and every prop and chamber of the tour, going through it with a meticulous checklist.

“Look at these slaughtered pigs,” he says, tapping the hanging, swinging rubber pigs. “I love these. Did you know that if you fell into a pig pen, they have been known to attack a person and start eating them?”

He slapped the gruesome props with a big smile. “This is Christmas for me,” he said.

Fright at the Fort is not recommended for children younger than 13 or those who scare easily. The event runs Oct. 18 and 19, from 5:30 to 9 p.m., and again Oct. 25 and 26, from 5:30 to 9 p.m. To be able to make it through the fort, arrive no later than 8:30 p.m. Note, there are always long lines, but the occasional screaming and visits from ghouls makes the wait, well, part of the frightful fun. Tickets are $10 per person ($5 for 12 and under.) Express tickets may be purchase in advance by calling 469-6553 or dropping by the Friends of Fort Knox gift shop located in the Fort Visitor Center. To learn more visit: Fright at the Fort.


Kay Stephens can be reached at news@penbaypilot.com

PORT CLYDE— Port Clyde, a tight-knit fishing community, hasn’t held a Rock the Dock community event since 2010. This fall, there had been a plan in place on Oct. 19 to come together after the season to commemorate the renovation of the Monhegan Boat Line mailboat, Laura B, and to remember the commercial fishermen and lobstermen lost at sea, as well as to build a fisherman's memorial at Marshall Point.

“We were excited to put on a Rock the Dock event this year, but when the accident happened in August, we weren’t sure if it was still appropriate to have a community celebration,” said Amy Barstow, co-owner of the Monhegan Boat Line with her husband, Andy.  

This past summer, 9-year-old Dylan Gold, of Cohasset, Mass., was fatally injured in a motor vehicle crash on the Monhegan Dock Aug. 11.  In addition to Dylan, his mother, Allison, brother Wyatt, and Port Clyde's Joss Coggeshall were critically injured by the runaway vehicle.

Barstow, like so many others in the community, were devastated by this event and wanted to find a way to honor Dylan’s memory. She contacted the Gold family and asked for their blessing to have the celebration in Dylan’s honor.

“They were very supportive of the idea and wanted the community to have it, so that’s how it has come to be,” said Barstow. 

This event is donation-only and Barstow added that the Gold family declined any percentage of the proceeds. Instead, they wanted it to go to the events’ recipients, LifeFlight of Maine, an independent 501(c)(3) non-profit air medical and critical care transport organization and the St. George Volunteer Ambulance and Firefighter's Association.

However, anyone who wishes to donate something in remembrance of Dylan (who had a previous flight by LifeFlight from Monhegan) can do so, by making a donation to the Dylan Gold fund at LifeFlight of Maine.

“Everybody has been so happy to do something, whether it’s cooking or donating something in the raffle or cleaning up,” said Barstow. “We’re going to have it right on the dock and do a moment of silence for Dylan, along with a moment of silence for the blessing of the fleet.”

In a traditional fishing community, the blessing of the fleet is a ritual where lobster boats and fishing vessels line up in the harbor to receive a blessing. It is a tribute to those who have lost their lives on the water while making their living.

The Rock the Dock for Dylan begins Saturday, Oct. 19, at 2 p.m. and includes lobster and a pig roast, along with other homemade dishes, raffles, remembrances at 3:30 p.m. and the annual blessing of the fleet at 4 p.m., followed by music into the evening featuring The Country Choir and The Maine Rockets.

For more information and how to help, contact the Monhegan Boat Line at 207-372-8848, abarstow@monheganboat.me.


Kay Stephens can be reached at news@penbaypilot.com

 

 

THOMASTON — Looking for something to do this Saturday? Oct. 12, the Knox Museum will host its inaugural "Taste of Thomaston," a food and wine festival celebrating notable local chefs, vintners, cheese artisans, brewers, fishermen, farmers, and all things delicious, local and “foodie.”  The event takes place rain or shine in a big heated tent on the grounds of Montpelier, the big white house just off Route 1 at the turn to Saint George in Thomaston.

“This is the first time we’ve done anything like this,” said Tobin Malone, director of programming and marketing. “This year we’ve been reaching out to the local community to make connections and build bridges. We have this beautiful property of 10 acres that is really underused and we want to let people know it’s available to them. Also, in terms of our mission statement, the original owners of Knox were wonderful entertainers. They’d throw their doors open, have big parties and feed everyone in town.”

Heading up the list of notable local chefs contributing some of their signature dishes to the tasting event will be Melissa Kelly of Primo Restaurant; Kerry Altiero of Café Miranda; Scott Yakavenko of the Slipway; and Herbert Peters of Thomaston Café.

Jessica Shepard, of The Uproot Pie Company, will be on hand dishing out her famous wood oven-fired pizza. Glen Libby of Mid-Coast Fisherman’s Co-Op will serve up Port Clyde’s fresh catch. Also on hand to share their unique creations will be Peter McBean and Frank Morrill shucking Cushing oysters, Jeanne Johnson of Breakwater Vineyards, Molly Sholes of Spruce Mountain Blueberries, Elaine Waldron of Hootin Gluten Free Bakery, Andy Hazen of Andrews Brewing Company, Nancy and Pat O’Brien of Fiore Artisan Olive Oils & Vinegars, Jeff Wolovitz and Maho Hisakawa of Coastal Farms Heiwa Tofu, and specialty cake baker Darci-Lynn Chickering-Morris of The Sugar Tree.

Additional specialty local products will be available for tasting from Terra Optima Farm Market, State of Maine Cheese Company, 3 Dogs Café & Sweet Sensations, and Maine Street Meats. Sarah Flint will showcase her Scarlet Smile bittersweet wreaths. And the entire Thomaston Farmers Market will relocate to Montpelier’s grounds for the festival.                

Montpelier itself will be decorated for harvest season for the very first time, and will be open and free for guests to wander through nine rooms on their own and view Saturday from 10 a.m. to 4 p.m., and Sunday and Monday, Oct. 12 and 14, from 1 to 4 p.m.

Admission donations are $10 for adults, $8 for those between ages 21 and 35 and for seniors 62 and older, and free for museum members. The tent opens at 11 a.m. and the tasting continues until 2 p.m. Only guests 21 or older will be admitted to the tent, and all the tastings are free. For more information contact the museum at info@knoxmuseum.org or 354-8062.


Kay Stephens can be reached at news@penbaypilot.com

 

Q: What are your favorite kinds of books to read?

A: Woodworking books mostly because I like working on furniture.

-Kerry Lambertson

Unity, Maine


Kay Stephens can be reached at news@penbaypilot.com

CAMDEN - In October, locals and vacationers are all trying to squeeze the last little bit out of the end of season they can with schooner trips and lobster rolls, sure. They’re the obvious Bucket List choices, but one little activity that happens annually needs to be on everyone’s Bucket List radar and that’s the Ragged Mountain Ski Club and Camden Snow Bowl’s Sunday pancake breakfasts and chairlift rides.

The cost for the breakfast is a donation and the cost for the chairlift rides is $5 per person (a sweet deal, down $2 from last year!) For unlimited rides all day it’s $15.

Richelle Gagney, a Camden Snow Bowl employee said: “Last weekend was our first opening weekend and it was a real success. We actually had quite a few people from out of town, a lot of people coming in to see the foliage.”

Gagne said the chairlift rides are also bringing out local mountain bikers in droves.

“We have hooks on the chairs and that makes it easier for them to ride up with their bikes and come down the mountain after,” said Gagne. 

Sunday’s weather is calling for sunny skies in the low 60s–absolutely prime temperatures for the ride. If you’ve never done it before, take a picnic lunch and warm clothes. The 15 minutes slow ride up and down with the gentle rocking of the chair will be the most serene thing you’ve ever experienced. At the top of Ragged Mountain, you’ll have all of the best views (without having to work up a sweat). It may be lazy, but that’s what Sundays are for!


Kay Stephens can be reached at news@penbaypilot.com

Imagine trying to get yourself a cafe latte in New York City’s ‘sNice Cafe in the West Village, when all of the sudden, the girl in the corner whose laptop just got coffee spilled on it goes supernova. She has full blown rage for the guy who did it. All of a sudden the guy is slammed up against the wall and driven upward by some unseen force. Then the tables and chairs all move on their own and books come flying off the bookshelf.

How would you react?

Apparently, this was an elaborately staged promotion for the upcoming remake of the thriller Carrie, engineered by Sony. And while the jury is out whether everyone in this clip is an actual real customer, the idea is pretty novel, which is why this video has amassed more than 18 million views since it came out.


Kay Stephens can be reached at news@penbaypilot.com

 

 

ROCKLAND — The Wizard of Oz is coming to Rockland in a way you’ve never seen before.

The exhibition,The Wonderful World of Oz: Selections from the Willard Carroll/Tom Wilhite Collection, opens at the Farnsworth Art Museum Saturday, Oct. 12, and runs through March 2014.  A private party and screening will be held for Farnsworth Members Friday, Oct. 11, at 7 p.m. celebrating the opening of the exhibition. On Sunday, Oct. 13, The Farnsworth will offer a free lecture at 1 p.m. to give insight into the origins of the collection.

The Midcoast is home to two of the movie’s greatest collectors. Willard Carroll was only 4-years-old when he began collecting pieces from The Wizard of Oz. An American film producer, writer and director, he has amassed close to 170,000 objects of memorabilia and is recognized as having the largest privately held collection in the world. Several books, including The Wizard of Oz Collectors' Treasury and All Things Oz have been published displaying parts of his collection, which includes the Wicked Witch of the West's hourglass. He also wrote and produced the video series, The Oz Kids. He established Hyperion Pictures with Thomas L. Wilhite, a former Disney executive who greenlighted Return to Oz

Carroll and Wilhite approached The Farnsworth Art Museum about establishing an exhibit.

“Our director, Chris, was just over the moon about the idea,” said Farsnworth Communications Officer David Troup. “It’s just a real fun, family-friendly exhibition that engages new audiences. The thing that’s really going to make this different is that it’s not just the movie, it’s the books, the 1904 play, the materials and memorabilia. They culled some vital pieces from their collection, for instance, not just original costumes and props from the movie, like the fabulous hourglass and models of the flying monkeys, but also puzzles, games and books and marketing elements like posters from the movie and original play.”

“When you start a collection like this, the collection starts to take on a life of its own,” said Troup, who said that Carroll and Wilhite may be entertaining the idea of opening their own museum at some point.

And it doesn’t stop there. On Sunday, Oct. 20, at 2 p.m. the Strand Theatre will screen the original 1939 35mm classic, The Wizard of Oz.

“We’re doing tons of programming around this,” said Troup. “The 35mm version is not the kind that just anybody can get. It’s called a library copy and only a museum can request it, so we made the request and we’re presenting it in partnership with the Strand.”

The price for The Strand matinee is $7.50 for all seats. Tickets are available at the box office, day-of-show, 30 minutes prior to the screening. For more information visit farnsworthmuseum.org


Kay Stephens can be reached at news@penbaypilot.com

 

 

Q: Do you swear in front of your parents?

A: Not my parents, but I’m a high school baseball coach and sometimes I swear at the parents—but never in front of the kids!

-Rob Johnson

Houston, Texas


Kay Stephens can be reached at news@penbaypilot.com

ROCKLAND — It’s been two years since Rock Harbor, a restaurant and pub on Main Street that replaced The Black Bull, sprung up. But working pretty much seven days a week to get the new restaurant up to speed wasn’t the only priority for owner Dan Pease. He had a vision all along to add a brewery to the restaurant and after several months of construction and brewing, he introduced three new Rock Harbor beers to the public this past weekend, just in time for football season.

A home brewer himself, Pease said he wanted to put a brewery in when they opened the restaurant, but held off until he could first research the best type of commercial system to purchase.

“We realized that to vent a traditional propane or natural gas system in this building would be very cost-prohibitive, so when this particular system, which happens to be electric, came up for sale in Portland, we bought it,” he said. “Although it gets a bit steamy in here when we’re brewing, we don’t have to vent with this system.”

The copper and stainless steel system is encased in a glass room that has taken up some restaurant space, but affords patrons and passersby on Main Street an attractive view of the brewery’s inner workings.

Over the summer Pease began brewing his first batch, which he titled Batch 101, a saison, also called a farmhouse ale. “This was our first one, our learning curve, you could say. Our fermentation temperatures were higher than we wanted, so it gave us a little bit of a bite up front and then it smooths out. It actually turned out to be really nice,” he said.

After experimenting with Batch 101, he decided to make two more. The next one, a pale ale, was called Twin Screw. “Our second beer was a pale ale with rich malt character and slight hop additions,” he said.

He calls the third Copper House Ale, an English style bitter, better known as his house beer.

“But, don’t be scared of the name, bitter, because it has a very balanced flavor to it,” he said. “Where you would normally end up with a very sharp hoppy taste, we actually embittered it more with the grains so it doesn’t come out as sharp.”

He said it took 300 pounds of grain and 124 gallons per batch to make eight kegs at a time. “We have 24 kegs of beer sitting ready to meet the public,” he said. Helping him as assistant brewer was Rich Ruggerio of the former Rocky Bay Brewing Co., which was also formerly located in Rockland.

At the time of this interview, no one but himself and a few tasters had sampled the beers. He was on the verge of launching them this past weekend.

“When you’re putting out something for the first time and you’re adapting a new system to a new location, it’s a little nerve-wracking,” he said. “The beers are awesome though, so much fun to make. At the same time, when I’m releasing something, I’m happy to have people try it and give feedback. As we move forward, these brews will get better and better.” Pease said he really loves IPAs and brown ales and will plan on making a high-alcohol, robust holiday beer next.

As it turns out, Pease said the Copper House Ale instantly became a fan favorite, selling out two of the first eight kegs in that weekend.

Rock Harbor Brewing Co., now officially the only craft brewer in Rockland, just joined the Maine Brewer’s Guild and has put itself on the Maine Beer Trail map, which is welcome news to folks who come to the Midcoast to sample hand-crafted Maine brews.

For more Midcoast brewers, see our article 24 Hours in Midcoast for the ‘Craft Brew Lover’.


Kay Stephens can be reached at news@penbaypilot.com

You know Cheap Dates is all for the adults, right? Stop right there if you think this is going to be some kids-running-around free for all, for I’ve got the inside scoop on how you and a sweetie or a good pal can get a hay ride and corn maze all to yourselves... muhahahah.

On Fridays, from noon to 5 p.m., Beth’s Farm Market on Western Road in Warren operates a good old-fashioned hay ride and opens their corn maze to the public. (They do this Saturday and Sunday, 9 a.m. to 5 p.m., too, but that’s when all the families are there.) The trick is, you have to go on a Friday between noon and 4 p.m. if you want the hay ride or the corn maze all to yourself. For $5 apiece, you get a hay ride and entry into the corn maze with a free apple and cup of cider after. Fabulous Cheap Date find right here, cha-ching.

Winston Williams, a long-term employee of Beth’s Farm Market is usually the one to drive the tractor, as it bumps down a dirt road, past apple trees with some of the most beautiful plummy colors you’ll ever see. The ride itself is only few minutes but word to the wise — wear long pants, ‘cause those hay bales are itchy.

Okay. About the corn maze. You might be thinking, eh... kids’ stuff. But have you ever seen the horror movie, Children of the Corn? Winston took one look at me and said: “It’ll take about an hour to get through. Here’s my cell phone number if you get lost.”

No joke. Winston will give you his cell phone number. One time a few years ago here, a woman and her two small children from New York got lost in the corn maze and called 911. The police had to come and find her. This is apparently a common occurance if you Google it.

But Winston’s got your back. He won’t leave the corn maze until you come out. So tra-la-la, in I go and through the maze I merrily traipse along until, I hear this swishing sound behind me. Turn to look. Nothing. Keep moving and the swishing starts again. Like the wind whispering through corn stalks you say? No, like some deranged child preacher named Malachi is behind me with a scythe. All of a sudden, there’s this tittering sound and I am officially creeped out until a murder of crows (murder!!) spills out from the tops of the stalks and flies directly above.

Now you see, with a sweetie by your side, all this fear and adrenaline can turn into some secret snuggies or a gale of laughter if you’re with your friends, but when you are by yourself in a corn maze and you’re embarassed to call Winston (and no way in hell you’re calling 911), things get a little dicey. I found a short cut and was out in 7 ½ minutes.

Winston: “Whoa, that was quick. You’re sure you don’t want to stay in longer?”

Me (run-walking) “I’m good.”

After you get back to the Farm Stand, be sure to browse around their store and load up on vibrantly colored fruits and vegetables like heirloom squash and Concord grapes. They even have fresh, unshucked oysters for a buck a pop in the back. Best place ever to have a great fall day together. But you only have a few more weekends left — they shut down the hay ride and Corn Maze after Halloween!

For more information on Beth’s Farm Market visit www.bethsfarmmarket.com or call 207-273-3695.


Kay Stephens can be reached at news@penbaypilot.com

 

 

CAMDEN — This is the story about a girl who made up her mind to be a comedian some day and then went out and did it. A former Midcoast resident, she flew in this week from Los Angeles to hang out in Camden for the Camden International Film Festival before she takes off on a three-month comedy tour.

But let’s back up. Josia (pronounced Jo-see-ya) Elliott was living in Camden in 2011 with her then-boyfriend, Justin Stroup, and bartending at Cappy’s Chowder House. Like a lot of 20-somethings, while slinging beers she was dreaming of what she wanted to do with her life. One summer day, she and Justin were goofing around, imagining an animated cartoon idea with one of their friends, Blake Trenholm, a waiter at Cappy’s, about what Rudolph the Red Nosed Reindeer and Mr. and Mrs. Claus would be like in the off-season. Josia and Justin saw Rudolph as this dysfunctional child star, “kind of Corey Feldman meets The Dude from the movie The Big Lebowski,” she said.  And they pictured the Clauses to have bumps in their marriage.

“It wasn’t the Rockwell portrayal,” she said. “Mrs. Claus is a woman who never reached her potential and she is now overcompensating by getting Botox, losing the weight and wants to re-brand herself as the new face of Christmas.”

As they talked about it more, Blake, a caricature artist who attended Full Sail University, began sketching out the characters on paper. And suddenly, an animated cartoon series called Northern Tights was born, just waiting to be pitched to a TV producer.

Around this same time, Josia thought to herself: I could make it out in L.A. I could be a comedian and work the comedy circuit.

Despite having little-to-no experience (with the exception of one five-minute improv set she’d done at a bar several years earlier), she made a plan. She was going to quit her job at Cappy’s and move to L.A. Her first move was getting in with an exclusive bar there. Then, as a bartender, she used her natural ability to connect with people and networked with industry insiders.

“I started meeting people very similar to myself and they were moving forward with creative projects and TV shows, and I thought, ‘I could do this, too,’” she said.

While at CIFF this past week, Josia was busy setting up tour dates and coordinating with Justin and Blake on getting the Northern Tights series in front of producers. It was just green-lighted this week.

“I’m pushing for online distribution of the show because I think that’s how people want to consume content now,” she said. “Because it's online, I’m keeping it about three-minute episodes. No one my age can pay attention for longer than that, anyway.”

Right after our interview, Josia had an appointment with L.A. voice actors to call in on Skype and work with Justin and Blake as they recorded the voices for the script of Northern Tights.

She’ll be leaving in a few days for the rest of her comedy tour.

“I’ve always been creative, painfully so,” she said. “What I love about Maine and why I keep coming back every year is that the culture here is very creative and whimsical. They love sea stories and folklore and legends.”

Since the age of 21 she’s been collecting comic bits and stories on bar napkins and notebooks and a lot of this material has ended up in her act. She was able to make this her full-time career as of last year.

“I'm not rolling in the dough, but I'm a working comedian... And that's pretty sweet,” she said. She describes her act as mostly observational humor. “I talk a lot about relationships, kind of a little insult-y and a little dirty. I have been banned for being ‘too vulgar,’ which makes me feel like I’m on the right track,” she said, smiling.

Recently, she was part of a professionally taped show called “Drunk Comedians Gaming,” in which she got together with some popular comedians such as Sam Brown from TV sketch comedy show, The Whitest Kids U’ Know. “We just got drunk and played video games and it was pretty funny. We’re looking at the footage Monday or Tuesday and again, we plan to release this online through our official YouTube channel.”

Pretty soon, she’ll fly out to kick off the tour in Montana, then do a few sets in Wyoming, where she grew up, then head out to Colorado and end up in Washington and Oregon before getting back to L.A.

As to where all of this comedic content is going to end up, she takes a laissez faire approach. “You know, people always ask what’s your end game? I honestly just want to be undeniably good at what i do, and build online content.”

You can keep tabs on Josia through her website, josiaelliott.com

Kay Stephens can be reached at news@penbaypilot.com

BELFAST  I can’t think of a more fitting cocktail to start the first day of October — one of the most spectacular months in Maine, which culminates with the Halloween finale.

The Gothic just switched up their cocktail menu to coincide with the equinox and one of them, “Death In The Afternoon” is one of the most thrilling and spooky tastes you’ll ever come across. Jon Poto, the bartender who put this cocktail on their new menu, says it was inspired by Ernest Hemingway, who wrote a 1932 nonfiction book of the same title.

“Hemingway had a cocktail he’d drink that had this great quote: ‘Pour one jigger of absinthe into a champagne glass. Add iced [brut] champagne until it attains the proper opalescent milkiness. Drink three to five of these, slowly.’ So, this is basically a twist on that by adding a splash of Cointreau and splash of lemon," said Poto, who gave us a live demonstration in constructing the cocktail.

It’s very simple. To make this at home, all you need is:

  • A shaker of ice, in which you pour:
  • Juice from ¼ of a lemon
  • ¾ ounce of absinthe. (Poto ecommends the brands Lucid or La Fée Abisinthe Parisienne.)
  • A splash of Cointreau
  • Shake and strain into a champagne flute
  • Top with Cava or any sparkling wine (or champagne) and garnish with a lemon twist.

The end result is like nothing you’ve ever tasted with fennel and anise as its most prominent notes. “It’s a pretty intense cocktail, maybe not one you’d drink all the time,” said Poto.

Although Hemingway might disagree.....

Stay tuned to The Gothic’s Facebook page as they plan to roll out a Halloween tasting menu later this month. For more of our "What's in that cocktail" series featuring original drinks made by local Midcoast bartenders, check out our Pinterest site.


Kay Stephens can be reached at news@penbaypilot.com

Q: Who made the last incoming call on your phone and why?

A: Marti Wolfe from Five Town Communities That Care. We were talking about their mentoring program and I was getting information of how I could be of service.

-Linda White

Annapolis, Maryland


Kay Stephens can be reached at news@penbaypilot.com

CIFF Shorts are free and open to the public thanks to support from The First. We captured some quick clips and Q & As with the filmmakers after the screening of their films as the audience asked them questions.

One of the more sassy subjects of the Shorts program starred New York photographer Flo Fox, directed by Riley Hooper. Both of Flo’s parents were dead by the time she was 14 and she essentially raised herself on the streets of New York. With gritty style and a witty sense of humor, Flo has been documenting the streets of New York City since the 1970s. Now in her 60s and battling multiple sclerosis, lung cancer and visual impairment, Flo continues to pursue photography and maintain her adventurous, feisty spirit and dirty sense of humor. (And as the audience can attest, Flo’s famed D***thology portraits were both uncomfortable and hilarious.)

Audience question: How do you know Flo and what is she up to now?

Hooper: I have a friend who was working at an art gallery that represents artists over the age of 60. She was represented there and my friend introduced me to her. Flo is still living in New York and still doing photography, basically just as happy as ever.

To see a trailer for Flo click here.

To see more Filmmaker Short Bits from CIFF, go to

• Filmmaker Short Bits: Former nude model realizes everything stays on the Internet

• Filmmaker Short Bits: One man’s discards are another man’s art


Kay Stephens can be reached at news@penbaypilot.com

CAMDEN — Spoon Maine, a self-serve frozen yogurt shop just opened this month at 44 Bay View St. in Camden (opposite the street-side parking lot of The Waterfront Restaurant). Erin Donovan and Maria Anderson are the proprietors of this whimsical, little shop and along with comfortable gathering areas to sit and chill (literally), they also have an inviting "topping bar" with everything that could possibly go with their frozen yogurt.

Here are some things you didn't know about Spoon Maine

• Tell us a bit about you two and why you decided to go into business together?

Maria is a transplant from Washington, D.C., where she managed a busy medical office. She is the mother of two teenagers, who keep her as a spectator of plays and soccer games. Erin moved here from New York City. She is a mother of three small children and a writer and comedian. We opened a frozen yogurt store because we were so tired of wondering who else would do it, so that we could eat it. What’s the 411 on your flavors? We searched across the country from New York to Arizona until we found a couple of different frozen yogurt brands that would deliver taste and smoothness while using natural sugars and flavors. We will change the flavors every few days, though vanilla and chocolate will likely always remain on the board. Our toppings come from local and regional providers. It was important to us to get as many Maine-made products and distributors as we could. Do you have any special promotions or events coming up this fall/winter to entice people in to have frozen treats? We will have a weekly Shovel Our Parking Lot Challenge that we hope draws the whole town. :) We will eventually be adding all kinds of spontaneous fun in the way of trivia nights, movie nights, TV premieres, post-game (basketball and football) celebrations, birthday parties, and more. Do you have Wi-Fi? If so, what's the best way to eat frozen yogurt with one hand on the keyboard?
We do have Wi-Fi. We are presently interviewing Personal Spooners who will spoon yogurt into the busy typist's mouth. Until we find those people, we recommend that you do not try to multi-task while eating our yogurt.

Your toppings bar is a sweet-lovers dream. What special topping flavor profiles would you build say, for:
The harried mom who has 10 minutes to chill before she picks up her kids.
- Pistachio Yogurt with Lucy's Toffee Granola, Chia Seeds and a drizzle of Dark Chocolate Sauce. The guy who's just been dumped...by text message. - Chocolate Yogurt with Brownie Bites, Reese's Cups, Caramel Cups and Chocolate Sauce. And we can handle phone disposal with the nightly trash. The hyper-hypo child (SNL reference) who probably shouldn't have a lot of sugar.
- Our Only 8 (low sugar, low dairy) yogurt of the day topped with blueberries, strawberries and granola. And a helmet. The up-from-NYC-dude who's taking a break between CIFF films. - The Tart Mango with Salted Caramel Sauce. And a man purse big enough to sneak it into the theater.

Unless you're a restaurant or bar in Camden, there aren't many places open late at night — (except for you.) How are you hoping to use this space after 5 p.m.?

We will be open until 9 p.m. during the week and likely 10 p.m. on weekends. We want this area to have a destination place after it gets dark...at 2:30 p.m.

For more information, follow Spoon Maine on Facebook.


Kay Stephens can be reached at news@penbaypilot.com

DAMARISCOTTA — On a warm, 70-degree Fahrenheit day, hundreds of people gathered for the 2013 Pemaquid Oyster Festival Sept. 29, held outdoors on Schooner Landing’s riverside deck right on the banks of the Damariscotta River.

“We brought up 15,200 oysters for today,” said Jeff “Smokey” McKeen, a.k.a Oyster Czar. “We’ll probably go through all of them on such a nice day.”

Along with their lineup of musical entertainment, exhibits, the annual oyster shucking contest and oyster poetry contest, this year the festival also offered an old, re-built Navy boat, renamed River Tripper, which holds 49 passengers.

This festival always brings out a fun-loving crowd. It was made for people who just cannot get enough oysters. Most people opted for a dozen on cardboard trays with their favorite toppings—such as horseradish, hot pepper sauce or a variety of homemade mignonettes (freshly made combinations like Champagne/Tarragon or Blueberry/Lemon made by Kayli McKeen, who runs Waldo Stone Farm) or just plain and raw with lemon.

And as always, fresh Pemaquid Ale was on tap and Bloody Oyster Marys (bloody mix with oyster liquor added to give it extra tang) sold out within the opening hour.

Steve Peters, one of the die-hard volunteers who has been working at the Festival for nine years, was busy shucking oysters throughout the entire day.

“You just keep going, it’s a lot of fun, supporting a good cause,” he said. Smiling, he handed a freshly opened oyster to one of the patrons in line. “Here’s another nice one!”


Photos by Kay Stephens. She can be reached at news@penbaypilot.com

 

CIFF Shorts are free and open to the public thanks to support from The First. We captured some quick clips and Q & As with the filmmakers after the screening of their films as the audience asked them questions.


The first short film to kick off CIFF’s Short program was an eye opener. CONSTRAINTS, directed by Eric Gulliver, is the story of a former nude model whose portrait is used to explore notions of exploitation vs. empowerment. While visualizing the tenuous line between "art" and "pornography," the film extrapolates the details of the model's former lifestyle: why it started, what happened at shoots, and why it ultimately wasn't for her. Through aesthetic mystery and underlying tension, the documentary illuminates certain paradoxes of representation - the difference between intent and viewership. Told through the words of a former model this tale of personal regret is made even more urgent because "what goes on the Internet, stays there forever.”

While the film never showed the model’s face or full body, archival footage of women in bondage told much of the visual story.

Audience question: How did you come to know this young woman and how did you get to the point where she allowed you to tell her story?

Gulliver: She was a friend of mine and it was a big challenge not to show her face during the shoot. I also didn’t want to engage in the photo shoot [in which the model is posing nude for a photographer]; I just wanted to hint at it. Just give a glimpse of skin. The actual situation in the film [Japanese bondage] I put in was only one of a couple of situations she described. There are actually events that take place like this and I was hoping to go and shoot them for the film, but I just wanted to get the idea of people getting tied up. What you’re seeing is Library of Congress stock footage; they have some really crazy stuff in there.

To see the trailer for CONSTRAINTS click here. Stay tuned for more Short Bits coming to you from the 2013 CIFF conference.


Kay Stephens can be reached at news@penbaypilot.com

CAMDEN — It’s always interesting to see what Camden International Film Fest’s (CIFF) opening night film will be, as it sets the tone for the weekend, along with the bumper (the short intro before each film shot by Jonathan Laurence). This year’s opening film titled Cutie and the Boxer was shot by director Zachary Heinzerling over approximately five years as he worked his way into filming the relationship between Ushio Shinohara and his wife of 40 years, artist Noriko Sinohara.

Ushio, a Japanese Neo-Dadaist artist, is more than 20 years Noriko’s senior and he earned early fame with his colorful, oversized works, such as his impressionistic boxing paintings, where he would dip his gloves into buckets of paint and slam the canvas from left to right in under a few minutes.

His wife, Noriko, is also an artist who has lived much of her life in Ushio’s artistic shadow. Her comic book drawings of herself as “Cutie” and her partner on paper as “Bullie” are a stark contrast to the poignant captions she gives the characters... essentially telling the audience that her support and sacrifice has not necessarily been equally returned over the years. At one point, Ushio makes a crack in the film (he words shown in subtitles) when he says: “The average must support the genius.” To which Noriko replies: “You are so pitiful,” much to the audience’s laughter. However, Noriko’s narrative becomes the more compelling thread of the film, as it shows how many years it has taken her to find her own identity.

Anyone who has ever lived with an artist or was the artist while the other partner made a living will see themselves reflected in this documentary about a marriage, which is both contentious and affectionate, resentful and proud. It is the perfect film to open a three-day weekend of workshops and screenings that center around the art of film and the art of making it. What exactly goes into one’s sacrifice? You tend to wonder — who are the other average people in these filmmakers’ lives supporting the genius? Or is it the other way around?

In a post-screening Q & A with Farnsworth Art Museum’s Director of Education, Roger Dell and Cutie and the Boxer’s director Zachary Heinzerling, the audience got a bit more insight on Heinzerling’s relationship with the Shinoharas and how he earned their trust to film them day to day.

“It was really hard to see the intimacy beneath the charade that they play off each other. When asked questions about their relationship, they were always deflecting that, talking about practical reasons [why they stay together]. They’d say it’s easier to pay rent with two people instead of one. They’d not give a real answer to these questions, so it became a process to really trying to see their connection and bond. I think their generosity played into allowing a side of themselves that they weren’t necessarily used to showing, especially to someone like me, I’m from Texas, I don’t speak Japanese. So culturally, there was obviosly a wall that we chipped away at. And what you see in the film is really the only last year and a half of shooting—we’d reached this level of comfort. I became a house hold object. Noriko called me her ‘rice cooker’ or ‘vacuum cleaner’— I was just around.”

To find out more about how Heinzerling came to know his subjects, check out this article on IndieWire. You can see Cutie and the Boxer’s original trailer here. For more information on CIFF’s lineup this weekend go to: http://camdenfilmfest.org


Kay Stephens can be reached at news@penbaypilot.com

 

 

 

CIFF Shorts are free and open to the public thanks to support from The First. We captured some quick clips and Q & As with the filmmakers after the screening of their films as the audience asked them questions.

Belfast videographer and artist Wes Sterrs debuted his first six-minute short film Breakfast, featuring another Belfast artist, Eric Leppanen, who re-uses and recycles paint and other discards in his art. Over breakfast one morning, Eric explains his process. One of his paint can pieces, shown in the film, is on display at the CIFF main office this weekend on Bayview Street, known as The Hub.

Audience Question: Why did you create a story around breakfast?

Sterrs: Eric’s the kind of guy who’d have you over for breakfast. That’s how he is, he’s very hospitable. So all the talking we did in the film sort of centered around this table of food.

To see the trailer for Breakfast, click here. Stay tuned for more Short Bits coming to you from the 2013 CIFF conference.


Kay Stephens can be reached at news@penbaypilot.com

 

ROCKLAND — I sat down last week with local author and essayist Eva Murray, (Well Out To Sea: Year-Round on Matinicus Island, 2010), whose latest book, Island Schoolhouse: One Room For All, provides a fascinating look at one-room schoolhouses that still exist in Maine. The book goes beyond the quaint notion of the schoolhouse structure; it’s peppered with stories, anecdotes and history of the people who actually live on these island communities and how the school, as an entity, unites them.

In 1987, Murray moved to Matinicus to teach in a one-room school herself.

“It was just me,” she recalls, “like a Peace Corps posting.”

Instead of going back to the mainland for graduate school, she chose to stay on Matinicus where she married and raised a family. Over the last 26 years, she has started a small bakery, become an emergency medical technician, taken on a number of roles in municipal government and volunteer organizations, including serving on the school board, and started the community's recycling program. Those who enjoy Murray’s forthright, funny and tart columns about island life will find much of the same in Island Schoolhouse.

 

What did it take to go around and interview the schools in order to write the book?

The term ‘one-room schoolhouse’ has some vague borders around it. There are approximately six island schools we call one-room schoolhouses, but sometimes, a couple of them are actually two-room schools, depending on how many students they serve, any given year.

I started with my own experience as an island teacher and an islander. Then, to research the book, I did some formal and informal visits to the other islands, particularly Isle au Haut, Monhegan, Frenchboro, Cliff, and Little and Great Cranberry. I found out it was important to make several visits to each island, and this is why: like any community, each Maine island has had something happen in their past that was sort of painful. For example, Matinicus has a reputation for being a violent place.  They had all been bullied, harassed and nagged by journalists before, so by the time I got there, a lot of people had pulled up the drawbridge. I had to get to know people on a more personal level in order for them to feel at ease that I was really interested in the school, the teaching, and not just the latest lobster war or whatever. It helped that I’d been an island parent, teacher and school board member, but it takes time to rebuild the burned bridges. So, it was very important that the research side of this book be done slowly and patiently.

 

What is the biggest misconception about a one-room schoolhouse?

That they don’t exist, anymore, or that they are a thing of the past. Some people just think of one-room schools as these old historic structures that have been preserved in many towns, with the old-timey elements like the separate boys’ and girls’ entrances, but my purpose was not to write about the architecture. Rather, this book is about the people still teaching and learning in our smallest schools.

There’s also the assumption that it isn’t real school if there are not 20 other kids of the same age doing the same thing — that teaching to one or two children somehow isn’t valid.

Then there’s the technology; people assume kids still write on slates. The fact is, we have the advantages of a rural environment and tiny community with lots of adult-to-child interaction and big kids helping the little kids, but we also have some of the most technologically advanced schools you will find anywhere. Almost every kid has access to his or her own laptop. They do a great deal of video conferencing and other online interaction. There are inter-island reading groups on Skype and an inter-island student council. There’s the Outer Islands Teaching And Learning Collaborative, where teachers and students from six one-room schools do academic work together. And not all of the children’s experiences together are on an island. The kids on all six islands will take field trips on the mainland; they’ve even all gone to Boston together.


There’s a section in your book titled THIS IS THE REAL WORLD with another subtitle: We are not Old Sturbridge Village. Talk a little about why some people view a one-room schoolhouse as sort of this anachronistic old-fashioned throwback to the book and TV show, Little House on the Prairie.

At some point, all of the island’s teachers and parents have heard, ‘But how is little Bobby going to manage when he grows up and has to go off island to deal with the Real World?’ The assumption is that an island education is not the real world. My angle is, anywhere where you have to deal with everything yourself.. .your kid gets sick, your roof leaks, your car dies, the groceries don’t get delivered from the mainland... you deal with it yourself. What could be more real than a place where you don’t have the option of calling someone on your smartphone and arranging for someone else to come fix your problems? The islands are perceived as a place to get away to on vacation. Most people for whom it is not vacation feel their world is the real world.

Island children can be members of the working community as soon as they self-identify as old enough; for example, they can start lobstering very young if that’s their thing, or start other small businesses, or help out with community needs.

If you’ve got a really motivated young person, he or she will often have more opportunities and fewer cultural obstacles than in some other places. I’ve seen elementary school-aged kids help out with all sorts of island events — both happy and difficult occasions. I don’t like to say they ‘grow up early,’ because people often misunderstand what that means, but they do learn a lot of real-world skills that some other children don’t have. Many island children can work, can drive and sometimes run a boat, can cook, and can help out in an emergency before they go off to high school.

 

There is so much to this book for educators, for Maine history buffs and for anyone who is interested in knowing how children thrive in this unique academic set up. To learn more about the book visit: Tilburyhouse.com 

To find more about Eva Murray’s writings visit: evamurraywriting.com


Kay Stephens can be reached at news@penbaypilot.com

 

 

 

Q: Do you believe in love at first sight?

A: Absolutely. When you see a new puppy, don’t you fall in love? When you see a beautiful garden, don’t you fall in love? When you see people you’ve missed, don’t you fall in love all over again? Yeah, I definitely believe in love at first sight.

-Barbara Stephens

Mendocino, California


Welcome to our new feature Behind The Slides, where we meet up with an artist who just presented in Pecha Kucha and find out the deeper story beneath the images they chose to portray.

Elisa Wike Hurley, from Mt. Desert Island, was the last of eight artists to speak at the Sept. 13 Pecha Kucha event held at Bay View Street Cinema in Camden. Like the others, she took the audience through her creative process in a visual storytelling format with a 20-second-per-image, 20-image slideshow. Unlike most artists who have a very specific process to their design, Hurley, instead told a story of the personal journey she’s been on for four years since a painful separation leading to divorce in which she found herself inexplicably alone and lost.

“I have different photos of wandering in and through the woods, where I found comfort,” she said. “Others in this Pecha Kucha series include photos of a 95-year-old artist named Ruth in a nursing home, whom I found on one of these wanderings,” she said.

Rather than over-explain it, we will provide a sample of Hurley’s photos in the right column and match them with the actual slide notes (in italics). Beneath the slide notes will be the deeper story.


The cave

The quiet darkness of a cave is not where I expected to find myself in the middle of winter on Mount Desert Island. But there I was. Sitting. Old Sorrels soaked, camera in my hand.

“I had been married for 25 years and over the course of a year or two, my husband couldn’t figure out if he was still interested in being married or not. I had two teenage children and as difficult as that was, I knew it wasn’t right. Regardless, after he left, there was this inevitable, momentous grief process. We’d been through everything together, so I was in shock. I found myself guided to get out of the house, get out of what was familiar and enter the woods. This is a cave near Echo Lake and it was winter. I just started prowling around and would find myself nestling into things, like going into caves or holes or lying down where deer might have lain down. I think the cave was a little for comfort and a lot about facing your fear like walking into a dark place where you don’t know what’s in there or what you’ll encounter, but you go in anyway. I felt, ‘You’re going to be on your own, so face those fears.’”

Self portrait

Then again, I didn’t expect my 25-year marriage to end the way it did. The kitchen floor, my dearest friend, bits of sticky rice next to my cheekbone. Please help me. No, I didn’t expect that at all.

“One of the things I gave myself permission to do is in my bedroom, now that it wasn’t a shared bedroom, I started writing on the wall with chalk, at first, to be practical. Because if I ever had to move, you could easily get rid of chalk. And then, I’d use anything, marker, crayons. It was very freeing to express myself immediately on something. And in this photo, on this day, it was an agonizing day. I wore this magenta beret a lot. If my eyes were looking up, you’d notice how worn they were.”

The boots

The whisper — get up. The voice — go outside Elisa. Enter the woods. Prowl, climb, crawl, dig. And so I did for almost two years.

“You really can’t see from the shot, but my pants are torn and ripped. In Bar Harbor, there’s a very steep, muddy embankment by the water and I just starting climbing it. I kept tumbling back down. Again, it was about facing my fears to get to the top. I remember the whole time I kept saying ‘you could do this’; the tree roots helped me up. When I finally made it, I just collapsed at the top. For some reason, this is when I decided to pull out my camera and take a shot of my boots.”

Ruth

At the edge of the Atlantic, where river meets source, I met Ruth. Artist. 95. Tucked like a bird in a nest, tucked in a blue gray chair in a nursing home.

“I kept wandering that day and found myself at the edge of the Atlantic in March. On that piece of property is a beautiful mansion that serves as a nursing home and rehabilitation center. I got this intuitive blast that I was going to get myself cleaned up and go back there the next day with flowers, but I didn’t know who I was going to give them to. There is a period in the grief when you have to get out of yourself and maybe it’s time to see that there are other people in the world who are suffering. So I did that. I gave flowers to a woman in the last room on the left and as I was leaving, I had a distinct feeling that there was still someone I was supposed to meet that day. There was a door ajar and I knocked and tucked in this blue gray chair was this woman, Ruth. She said, ‘Hello de-ah.’ We started to talk and I pretty much went back for every day for two years.”

The cattail fluff

I’m not odd. Odd, she told me. I’m awed. I’d like to put some of these milkweed seeds in an envelope and send them to my son. Tell him: this is what I’m working on.

“I’d bring her things I found from outside all the time, rocks, bits of milkweed pods, shells, bones, things she could examine. She’d spend hours looking at the things like an artist. She’d never felt a cattail before and at first, she just touched the velvety outside. After a couple of days, it burst open. It was funny, because she had it all open and laid out on her table. And all of the nurses wanted to clear it out, but she’d barricaded them with stacks of books so they couldn’t get to all this open cattail fluff until she could show it to me.”

 

To know more about what happened with her journey and with Ruth, Hurley is at work writing a book about these experiences. For more information about Pecha Kucha visit: www.facebook.com/PechaKuchaME


Kay Stephens can be reached at news@penbaypilot.com

 

 

 

 

 

ROCKPORT — My Facebook friends know me as the ‘Crazy Cat Lady’ and I admit, I’m a sucker for black and black-and-white tuxedo cats, as I own two. Every once in awhile I stop into P.A.W.S. Animal Adoption Center in Rockport and check in with Laura Stupca, the shelter manager, to find out which cat there absolutely needs a home now. She showed me two of their longer residents, Cleo, who is all black and Oreo, who is black and white.

Oreo, a male, is an owner-surrendered cat. In his case, his owners had to move and couldn’t take him with them. He is about 5-7 years old and instantly started purring the second I put my hands on him.

“He’s very loving and wants all of your attention,” said Stupca.

I asked her why shelters are always too full with cats of this coloring, and she said, “People sometimes are superstitious. Or they might think they’re just too boring a color. But I’ve had a lot of people tell me they have black and black-and-white cats and they’re the best cuddlers.”

Oreo came to P.A.W.S. at the end of May, and Stupca said she has seen that as their time at the shelter increases, the more likely they are to become “down in the dumps.”

“I’m not sure if he’s getting to that point yet, but he does lay around sometimes,” said Stupca. “Still, he’s very social and fine with the other cats.”

Speaking of down in the dumps, pretty Cleo sat there on the window sill watching me. “Cleo came to us in 2011,” said Stupca. “Once again, a moving situation where they had to give her up. She’s 7. And Miss Cleo’s favorite activity is to eat, because that’s one of her only sources of comfort. She’s a great cat. I think all she wants out of life is a window to look out of, a soft bed to sleep in at night and somebody to love her. I think she’d do best with a house that was quieter, more laid back, maybe not with a lot of little kids or dogs running around. She’s been here so long, she doesn’t really even leave this room any more. She was one of the original cats in this room, meaning all of the other cats that were put in this room with her have been adopted and she’s the only one left.”

Until the end of September, P.A.W.S. will waive the regular adoption fee on any black cat or tuxedo (black and white) cat, but would like to request a donation in its place. All the cats are healthy and up on their shots.

Now here’s the kicker: I hate seeing an animal get so used to its confined space that it starts to get depressed. I will personally offer up a donation of $50 to P.A.W.S. for the adoption of Cleo and/or Oreo—those two specifically. Just go in and fill out the paperwork to adopt one. Or stop in before Oct. 1 and check out all the rest of the wonderful black and tuxedo cats looking for a forever home.

Bonus: See the small kitten gallery below. (They are not part of this September offer, but they’re so stinkin’ cute they’ll make your day.)

To find out more about Cleo or Oreo, click the highlighted links or visit pawsadoption.org


Crazy Cat Lady Kay Stephens can be reached at news@penbaypilot.com

 

Q: If you could hang out with a character from a book all day, who would that be? A:Why Rhett Butler, of course. On this hot, steamy, Atlanta day, I’d have to tell Scarlett, “Honey, Scarlett, you just don’t stand a chance with this man.”

-Elena Herchok, St. Clair Shores, Missouri


Kay Stephens can be reached at news@penbaypilot.com

GOTT ISLAND — Remember the classic children’s book, The Giving Tree by Shel Silverstein? Well, two Maine women are making their living from the “Giving Island.”

Let me paint the picture, because it’s almost straight out of a novel. When the remote Gott Island, off the coast of Mount Desert, awakens in the spring, Claire and Carly Weinberg, the mother-daughter co-owners of the Maine natural skin care line, Dulse & Rugosa, will come back to it and open up their little houses. They will live off the grid, like everyone else, amid dozens of spread-out houses owned by generations of families.

When everything starts to bloom and grow, they will get up, have some coffee on Claire’s big, sunny wraparound porch. Then they will spend their days gathering baskets of St. John’s Wort and rose hips from the meadows, and balsam needles and bay leaves from the wooded trails. Claire will pluck the pink and red Rugosa rose petals from the island hedges as Carly wends her way along the wild shoreline, harvesting seaweeds such as dulse, sugar kelp, finger kelp, and nori. They will turn all off the island’s natural botanicals into skin care products such as body butters, sea salt scrubs, facial oils and bath teas. After years of experimenting with all of these pure ingredients in their own homemade products, Dulse & Rugosa was born.

At the end of the summer, I was invited to spend some time on Gott Island with Claire to observe how this all worked.

On a bright blue-sky day, I was taken out by private boat and met Claire at the landing. As we lugged my backpack and some bags about a half-mile up the grassy hill to her house, I could hear the loud drone of crickets.  There are no cars, stores or ferry service, and only solar electricity on the island. There are no roads, either, just trodden footpaths. As we approached her property, the first thing I saw was this stick-built cozy, country house with a wrap-around porch. Next to it was an even more diminutive yellow guest house, where Carly stays when she’s on island. But she wasn’t here on this day, so that was to be my lodgings. 

After settling in, Claire and I went for a walk around the island so she could show me their best harvesting spots. "We have somewhere between five and seven acres," said Claire as we walked through her fields.

As we walked, I got to know Claire, who is soft-spoken and laughs easily. She made me feel instantly right at home, as if we’d known each other for years.

Lest you think this is too dreamy to be real, or that island living is something ripped out of a soft focus Martha Stewart catalogue shoot, Claire revealed how she’d come to the island. This was her former husband’s family land, a place they’d built their home together for 30 years.  In the early 1980s, the Weinbergs were the only ones hearty enough to live on the island year-round (Carly was only a day old when she came onto the island). They grew their own food, chopped wood for their wood stove and raised their own animals. It was this  do-it-yourself unity that led the family to conceive of harvesting the botanicals that the island produced each year, and turn them into products they could sell.

"We've been wanting to do a business using the resources of this island for awhile, but it had to make sense for where we live. You can't do a market garden because we're just too far away," said Claire. It was not only a unique way to make a living, but also a way to share the beauty and power of the island with others. Dulse & Rugosa started with her husband and Carly's father in the picture.  But rather abruptly, Claire's husband decided to go his separate way last year, and in the divorce, he granted the family land to Carly and gave over the business to both of them.

Claire and Carly have been dealing with their emotions over this adjustment in the family dynamic, in addition to trying to figure out how to continue Dulse & Rugosa on their own.

"We thought, what do we do?” Claire said, telling me she and Carly had quit their jobs when they started the business. The original plan was that Claire’s husband would work overseas for a few years to sustain the family while Claire and Carly launched the business. “We thought, ‘Do we quit? Do we keep going? How are we going to survive?’"

Dulse & Rugosa hadn’t been in operation even a year when Claire and Carly decided to pull together their strengths and keep going as a mother-daughter team. To make ends meet with their start-up costs, Carly took a temporary job in Rockland this summer (where they also bought a house for the production side of the business) while Claire worked on the island, harvesting. This is the first summer they've been able to sell their products and while they don't have a real picture of their business numbers yet, they're focusing on ramping up production and marketing through the fall and winter.

Around dinner time, Claire showed me one of the most blazing and beautiful spots on their property — the garden-grown botanicals they've set aside for Dulse & Rugosa, with rows of yellow, red and orange calendula and blue bachelor’s button. Hedges of Rugosa roses dotted the front of the house. Everything smelled fresh and sweet out there, mixed with tangy island air. Claire and Carly have been cultivating their island gardens for about 20 years. The back and sides of the main house are reserved for an expansive vegetable garden and a teeny greenhouse that serve as their food source while they live there. To fertilize the garden beds, they’ve pulled earth and loam from the forest and added dried seaweed to it to make their own compost. 

After Claire stuffed her hands into a mound of dirt and plucked out some dusky potatoes out, she instructed me to go over to the rain barrel and scoop out some rainwater to pre-wash the potaoes while she went to pick salad ingredients. The biggest insight I got as I squat down with a colander and used a scoop of rainwater and my hands to scrub the dirt from the small red, blue and white potatoes is that nothing can go to waste here. Even though she has a well and a sink in her house, it’s a better use of resources to use the barrel of rainwater for the first wash. This isn’t some back-to-the lander Helen Nearing effort, this is what you do to make it work on an island.

Over an excellent dinner with those grilled potatoes sprinkled with dried dulse, a huge, fresh-picked  salad and plump chicken sausages she’d fired up on an outdoor stone grill, we got down to what her day-to-day life was like out there.

Growing the gardens takes a lot of initial work and outlay. But picking and harvesting is only the first phase. With calendula, for example, you have to separate the petals from the center. "That's something we'll do on some rainy or snowy night. We'll get the wine out and just sit there and work on it,” said Claire. They have to work in batches, making products when the ingredients are ready with the seasons.

"This summer has been rainy and foggy, which hasn't been good for rose petals, but it's been fabulous for calendula," said Claire. She recalled frustrating soggy days when she would have to pluck wet Rugosa petals and painstakingly separate them so they could dry.

As their ingredients are all natural, there is a finite amount one can gather, pick and harvest in one season. In early spring, the seaweeds are ready to be harvested. “Carly is the seaweed picker,” said Claire. “She’s the one with the seaweed license and she goes to the far end of the island at low tide. She loves the ocean and she's really the science side of our business.” Claire shows me a bag of twisty purple dulse that had already been dried.

“I like this because it looks so pretty and we use it in our rose petal cream. Seaweeds are rich in vitamins and minerals, gentle for your skin and full of natural goodness,” she said.

Next, all of their botanicals have to be air-dried, which can seem like a tedious process, then they have to be bagged and transported to Rockland for the next steps.

In a room dedicated for the production at their Rockland home, they have several working tables and hundreds of bags of dried ingredients, waiting to be transformed, including huge jars of olive oil infused with rose hips and Sweet Island Oil with Calendula petals. There, they work on an unstructured schedule, when it makes sense to build up more stock as products move though their inventory. They've built up enough stock, Claire predicts, to last throughout the year, but when their products are gone—they're gone. Devotees of their products will have to wait until next season, when Claire and Carly can get back to the island.

Not everyone can work well with a family member, but Claire and Carly are pretty tight and have been since Carly was in high school. In the Rockland house, they live together as housemates and work very well together. "We get along really well and have this policy ever since the divorce: don't judge," Claire said with a laugh. "And we actually split up our time well with one of us on the island doing the gathering and the other in Rockland doing the production and selling, so it’s not like we’re stuck at the hip all the time."

Twenty-four hours went by fast on Gott Island, and in that time I got a glimpse of its beauty and timelessness. To visitors, that seems to be the prominent takeaway, but it can be a different reality for those who live there, or on any island. Tended responsibly and sustainably, Gott Island will always be the “Giving Island,” but one has to work hard for it. Part of that work is endurance—days of solitude, inhospitable weather, doing without creature comforts.

And I think, after having met Claire (and days later Carly), they embody the perennial strength of dulse and the Rugosa rose, which come back every year. In the spring, so will Claire and Carly.

Related link:

Dulse & Rugosa


Kay Stephens can be reached at news@penbaypilot.com

 

WARREN — For Lobsterpalooza this week, Sept. 9-14 across the Penobscot Bay Region, we are featuring local resident Jim Nichols, author of Hull Creek, the story of a lobsterman’s challenges on the coast of Maine. Nichols lives in Warren with  his wife, Anne. His short stories and other work has appeared in Esquire, Narrative, Portland Monthly, American Fiction, The Clackamas Review, Night Train and Zoetrope ASE. His collection, Slow Monkey and Other Stories (Carnegie Mellon Press, 2003), preceded his first novel Hull Creek (DownEast Books, 2011) which was runner-up for the Maine Book Award for fiction in 2012 and a Silver Medal IPPY award winner.

A summary of Hull Creek follows:

After the death of his parents, Troy Hull decides to leave college and take on his family's traditional lobster fishing life. But after a few good years, he finds himself threatened with the loss of that life, the result of some bad choices on his part and the changing nature of his hometown. Troy's best friend, also a lobster fisherman, has found his own shady ways to deal with a similar situation, and now Troy must decide whether to follow his pal's outlaw path to solvency or let the straight-and-narrow take him from his beloved home forever. Throw in a run-away wife, a drug deal gone bad, a wicked city woman, and a wild melee where a big-shot TV host and crew get dunked in the chilly harbor, and you have Hull Creek: a timely and rowdy story of the Maine coast.

We caught up with Nichols to get a sense of where he culled his real-life material from.

Q: Writing a novel about Maine lobstermen is not a venture taken lightly. How did you research your topic and did you have an "in" that would allow you to know some of the inner workings that are not available to the general public?

A: I agree, it's not to be taken lightly! I tried hard not to mess it up. I'd been out with friends a time or two, and had gotten a taste of the way things were done that way. I also know lots of island fishermen, because they fly back and forth on Penobscot Air, where I work, so I was able to consult with a couple of long-time practitioners of the trade. They straightened me out where I'd gone astray.

Q: Your setting is based on the fictional coastal Maine town of Pequot (which we can probably guess which town it is after you write: Pequot by the Sea, Rockland by the Smell). What are the advantages of making up a fictionalized town?

A: Well, as you know a real town won't always cooperate by having things in the right places for the purposes of the narrative. A fictional town can be just the way you need it to be!

Q: Your book was published in 2011, at a time when landings for lobstermen were high, but so were fuel and bait prices. (Yet, the average per-pound price was $3.19). Two years later, would you say your characters would be just as challenged by the economic factors of this industry?

A: There seem to be plenty of lobsters, but I think the struggle to get a decent boat price is ongoing. The folks who actually do the hard work always seem to find themselves at the bottom of the money flow.

Q: One of the most interesting things about this series is how the authors have chosen to characterize native Mainers and people from away. How have lobstermen in the area reacted to Troy and his lobstering buddies? And what did your general readers think of Troy's antagonists (e.g. the yachties, McMansion owners and the white collar bankers?)

A: People who grew up around here seemed OK with it. One accused me of somehow looking over his shoulder during some of his more unsavory moments. Another told me he'd grown up with Troy and his pals. I got enough positive feedback that I felt pretty good about the whole thing, like I hadn't let anybody down. They seemed to find some satisfaction in what happened to the swanks, as well. On the other side, I was told by a couple of readers who had moved to the area that I wasn't entirely fair with my portrayal of folks from away. I had to point out that one of the lawyers had come through in the clutch at the end.

Q: It's always fun to guess where you based your fictional places on; for example, can you tell us the inspiration behind these places in your book?

  • Thirsty Whale
  • Maine-ly Drugs
  • Captain Cobbs
  • Erky's Wharf
  • Seaview Street
  • Hull Creek
  • Paycot Resort

A: There was a Thirsty Whale Tavern at the old Camden Harbour Inn, and mine was based on that. Maine-ly drugs was a sort of a response to Richard Ford's observation that there seemed to be a lot of folks along Route 1 in Maine who couldn't resist the pun potential of the state's name. Captain Cobb's was something like Cappy's in Camden, Erky's Wharf was just a name I liked. Seaview was similar to Bayview Street in Camden, and Hull Creek was pretty much imaginary. And I think it was the Lord Pequot Inn, wasn't it?  Paycot was a corruption of the name Pequot by snooty types.

To see more reviews of Nichols’s book and more information, visit his website www.jimnichols.org

• For archives of Real places in Maine that inspire literary fiction, visit Penobscot Bay Pilot's Pinterest page.

Related links:

Maine Lobster Council events

 


Kay Stephens can be reached at news@penbaypilot.com

CAMDEN — Camden’s “greatest show and tell” event drew more than 900 people Saturday, making the first ever Midcoast Mini Maker Faire a smashing success.

The town closed off Atlantic Avenue so that more than 20 exhibitors could display their unusual hands-on inventions in the Camden Amphitheatre.

It’s a rare event that can fascinate both kids and adults and with its resourceful do-it-yourself science and technology, robots, crafts and art, this one appealed to everyone — from science geeks to art enthusiasts. Maggi Blue, one of the organizers, said, “How do I personally know it was a success? My almost 7-year-old boy was entertained for two solid hours, didn't want to leave and was dragging me around the booths for a change. That is a testament to the power of our first Maker Faire. He's one picky kid. As a parent, I'm quite smitten and will be waiting in anticipation for next year's Faire.”

The show seemed to be equally split between unusual and interesting modes of transport, robots in their various incarnations and crazy-weird art installations.

Artist-mechanic Jack Churchill unveiled his latest invention, a steampunk 1956 deux cheveux (French for two-horsepower) made by the company Citroen, a cheap, lightweight vehicle made after the war that French peasants could drive. It was designed to carry four people weighing 100 kilos each, 100 pounds of potatoes and can go 38 mph across a newly plowed field.

“If the world ended and you had to build a car, and build it with stuff you found, that’s where my artistic—if you can call it—direction goes,” said Churchill. Churchill’s vehicle stayed true to the original design with wheels that only have three lug nuts, one of which he’d lost driving around town the day before. “The wheel almost came off,” he said. “Luckily, I found someone with a lug wrench.”

Other DIY vehicles included Jory Squibb’s Sunbeam car, a pedal and electric assist quadricycle. He demonstrated its two-sources of power, a 3/4 horsepower motor and the pedal system.

“They work together to go about 25 miles per hour, 80 miles on a charge,” he said.

David Talley displayed the Elf car, made by the North Carolina company Organic Transit. “There are four of these in Maine. Less than 100 have been made. It’s an emission-free sustainable form of transportation,” he said of the orange, 150-pound stripped-down electric pedal car. “You can commute with it and deal with any kind of weather.”

Bill Buccholz’s micro car Dirigo was built from scratch, originally conceived as an entry for the Automotive X Prize, a competition for a 100 mpg practical and manufacturable car.

“We thought we could do that—how hard was that?” he said of his design committee. “We evolved this three-wheeled rear engine front-wheel drive, deisel-powered, side-by-side seating with storage in the back.” It is made with western red cedar and weighs 130 pounds.

“We didn’t want it to be boxy. We wanted some sexy curves,” he said. The car, which goes 75 mph, has been to Boston dozens of times and even to California.

Other people on the move included the Camden-Rockport Middle School Tech Club’s giant moving horse, Thunderbolt, propelled by two high school students. The “clop clop” sound of the horse’s shoes actually come from the banging of hollow coconut shells. Meanwhile, Paul Cartwright was busy demonstrating how his modified unicycles worked.

Next up dominating the Faire were the robots. Many people tend to think “Eh, isn’t that some kind of science fair kid thing?” However, the Faire changed a lot of perceptions, making robots that much more acccessible to the public. Jared Paradee (aka Robot Overlord) held a cardboard robot-making clinic, while CMCA ArtLab provided brown paper “mystery bags” filled with all kinds of bits and pieces like lug nuts and pipe cleaners. Their table was swamped with kids making individual robots. Edward Seidel brought out the baby pool and showed people how to make a $60 underwater robot (ROV—the same mechanical structure that discovered the Titanic.) With the addition of a video camera and other components, this was a fascinating DIY tool to discover the aquatic world without getting wet.

Technology also played a major part, with the Camden Middle School providing a MindLabs robot demonstation, in which they were all programmed to dance to Michael Jackson’s “Thriller.” Nathan Davis mesmerized the crowd with his computer and iPhone-powered interactive art installation (think: the opening sequence of “Doctor Who” and you get the idea). Meanwhile, Watershed School students demonstrated their FabLab: 3-D printing, laminating and constructing of longboard skateboards. See how that turned out here.

The artists at Mini Maker included Shelby Cote, a fanciful hat designer who was wearing a design of her own making, which was a fascinator (a decorative hat) made with the innards of a music box. The Midcoast Yarn Ninjas were busy knitting up some visual graffiti and Susan Cartwright displayed her hand-operated moving sculptures for the inner-kid in everyone. Pilar Nadal of Tired Press demonstrated how her bicycle-powered printing press could make a unique post card, while next to her, Ella Simon also pedaled away on her own invention, the Icycle Bicycle, a pedal-powered ice cream maker.

Lordy, Lord. There were more exhibitors than we could even cover, and the whole thing was a feast for the senses. We too can’t wait for next year’s event. To find out more about the participants and find more photos from the event, visit midcoastmakerfaire.com.


 

Kay Stephens can be reached at news@penbaypilot.com.

CAMDEN — During the outdoor Schooner Talent Show at Camden Harbor Park, part of the 2013 Camden Windjammer Festival Aug. 30-Sept. 1, there was another show going on behind the performers, albeit subtle. While schooner crews sang and danced, Buckley Smith, a Green’s Island artist, was busily sketching away, swooping chalk lines across a large canvas. In the hour or so it took for the talent show to conclude, a completed drawing of sailors under full sail appeared (shown here behind the Irish jig dancer and fiddler). It sold to the highest bidder for $500. Not bad work — if you can do it.

A sailor himself, Smith has been drawing for 55 years. We found him the next day on the deck of the windjammer, Nathaniel Bowditch, where he was busy sketching another piece with charcoal and white chalk on a big roll of blue background photography paper. It took him about 45 minutes to complete a depiction of two schooners.

Creating live art is a walk in the park for Smith. “When I’m doing stuff in public, I can draw pretty fast, but when I spend a lot more time on my other projects, like my paintings, even my paintings are pretty quick,” he said. “I like to do plein air paintings where you go out for three hours outdoors, get an impression and come back.”

His boat and sailing portraits are pretty straightforward and realistic, until it veers into the surreal with his fantasy marine line, where schooners soar in the air, ride on the backs of whales and fly to the moon. In addition, he hand crafts sea chests and makes wood carvings and boat models, all meticulously painted.

If you missed Smith during the Windjammer Weekend Festival, check out his work at buckleysmith.com.


Kay Stephens can be reached at news@penbaypilot.com.

 

We just like to ask people random questions sometimes to see what answers we get

Q: Do you remember your last dream?

A: I dreamt that I found a journal that I’d misplaced, but now I don’t remember in my dream where I found it.

-Pirate John Bullock

Baltimore, Md.


Kay Stephens can be reached at news@penbaypilot.com

When is the last time you broke out into sheer syncopated rhythm in public because you were inspired by that ”Dance like no one is watching...” quote? Your Bar Mitzvah? Your ex-husband’s wedding? The Belfast Street Party?

A video taken by citizen “journalist” James Vaughan that is circulating the web as a hot meme features an unidentified graceful gazelle-of-a-man at the Launch x MARRS block party in Sacramento, Calif., last Wednesday, Sept. 4.

With hip-shaking confidence that’s a cross between Napolean Dynamite and Intergenerational Prom Night at the Elk’s Club, this dude makes Miley Cyrus and her twerkin’ look like amateur night at a block party, not to put down block parties. All I know is Five Town Connunities That Care needs to incorporate his hot, sweet moves in their next Dance Walk.


Kay Stephens can be reached at news@penbaypilot.com

CAMDEN - Makers unite! The first annual  Midcoast Mini Maker Faire is today, Saturday, September 7, 2013 at the Camden Public Library and adjacent Amphitheatre. For those who are wondering, a Maker Faire is:

"Part science fair, part county fair, and part something entirely new, Maker Faire is an all-ages gathering of tech enthusiasts, crafters, educators, tinkerers, hobbyists, engineers, science clubs, authors, artists, students, and commercial exhibitors. All of these ‘makers’ come to Maker Faire to show what they have made and to share what they have learned."

Makers of all types will converge in Camden for a family-friendly showcase of invention, creativity and resourcefulness – a celebration of the Maker movement. Exhibitors/Makers do not pay for a booth and admission is free.

Andrew White is one of the organizers, along with Camden Library staff member Olga Zimmerman, who was initially the driving force behind getting the concept of the Mini Maker Faire to the Midcoast. White who often works with found materials in his own work said traveling to California and seeing what their Maker's Faire offered "just tapped into Silicon Valley and the creative world that exist there. Think of Burning Man community, the creative part of it, not the Bacchanalian part.  It's nothing you've ever seen around here before. California's Maker Faire is a known entity, it's a new thing, an idea that's happening across the country, empowering people to be innovators."

From cardboard robots to 3-D printed jewelry to interactive art installations, Camden’s Mini Maker Faire will be the bomb. The whole purpose of this is to “encourage exhibits that are interactive and that highlight the process of making things.” In other words, ask questions. Get up close, poke around. See if you can make one yourself. One of the featured Makers is local student Ella Simon. For her 8th grade school project at Ashwood Waldorf School, she created the iCycle Bicycle, a pedal-powered ice cream maker (stationary or mobile). See a full lineup of all the participating Makers here.

Along with White and Zimmerrman, other organizers include Maggi Blue, Ken Gross, Kelly Finlay, Nikki Maounis, and Ollie Wilder. The committee has said this is not going to be a one-off event. The Midcoast Mini Maker Faire will be an annual community-focused annual event, only, smaller, but will follow the Maker Faire motto of celebrating do-it-yourself creativity and tinkering. Their motto: “Make, create, craft, recycle, build, think, play, and be inspired by celebrating arts, crafts, engineering, food, music, science, and technology!”

Featuring both established and emerging local Makers, the Midcoast Mini Maker Faire will be a family-friendly celebration featuring rockets and robots, DIY science and technology, urban farming and sustainability, alternative energy, bicycles, unique hand-made crafts, music and local food, and educational workshops and installations. 

Sponsored by the Camden Public Library as its sponsor and the Midcoast Magnet as a co-sponsor, the Mini Maker Faire will run from 11:00 a.m. to 3:00 p.m.

 


Kay Stephens can be reached at news@penbaypilot.com

CAMDEN - When people first step aboard a windjammer and get a look at their cabins and the galley, one of their biggest misconceptions gets cleared up right away. That is: accommodations are going to be small—very small. “They’re used to their bedrooms and kitchens at home,” said Justin Schaefer, a deck hand on Nathaniel Bowditch, “And maybe think the accommodations will be more like a hotel, and that’s not the case on any of these boats. Really, the trip is all about being up on deck and enjoying the scenery.”

During Camden Windjammer Festival’s schooner open house tours Saturday and Sunday, we checked out the galleys of three docked vessels to get a sense of how they operate.

Owen and Cathie Dorr own and operate the schooner Nathaniel Bowditch, originally built as a private racing yacht. This seemed the most expansive of the galleys we checked out. The massive 1950s blackened kerosene oven was its focal point.

“We can actually cook a turkey, two pies and a can of stuffing at the same time in the oven and even more on the stove top,” Cathie Dorr said. “It’s really fun to cook because the center of the stove is high and it gets progessively cooler with each shelf, so you have something simmering and you just kind of move stuff around.”

The galley featured plenty of head room and small fold-down wooden tables and benches that can accommodate up to 22 guests — and the chef still has room to cook and move around. Proving the adage “A place for everything and everything in its place,” each of the red-cushions on the wooden benches lifts off to reveal where all the food for a 3- or 4-day trip is stored.

“Here’s a picnic basket for an offshore excursion,” Dorr said, opening one of the benches.

Ray and Ann Williamson own Maine Windjammer Cruises, which comprise the windjammers Mercantile and Grace Bailey as well as the smaller charter schooner, Mistress. We checked out Mercantile’s galley, comparing it with they galley of its smaller sister ship, Mistress. Mercantile’s was very snug with a traditional cast iron stove and a common dining table under cross beams that one has to take care not to bonk a head on.

Mercantile carries 29 guests and we cook on a ShipMate wood stove,” said Ann Williamson. Though each boat has its own chef, Williamson is currently filling in as chef. “I actually prefer the larger cook stove on Mercantile because you can cook so much more,” she said. “There’s much more room as well.” With Mistress’s galley (talk about really small!) WIlliamson has to bend down to reach the tiny stove.

“It’s really a challenge,” she said. ”But we’re only cooking for six guests at a time on this boat.”

Poking around galleys like these, one instantly gets the sense this is what the fun of sailing is all about. The windjammer is in charge. It does not adapt to the modern conveniences of guests; guests adapt to the boat.

Click below for full coverage of the 2013 Camden Windjammer Festival.

Sails up for Camden Windjammer Festival


All photos by Kay Stephens. She can be reached at news@penbaypilot.com.

We just like to ask people random questions sometimes to see what answers we get.

Q: If you could do something over in your 20s, what would you do?

A: I would change the date of my wedding because I would want it to be on a different day other than the re-enactment of The Battle of Bunker Hill in Boston.

-Sue Olsson

Wells, Maine


Kay Stephens can be reached at news@penbaypilot.com.

Q: If you could keep one pet with you for your entire lifetime, what would it be?

A: My cat, which was named Okay. I had her for 18 years and she was my best friend in the whole wide world. She actually belonged to my mother and when my mother passed away, I took her on. She’s seen me through a lot of things.

-Rene Gordon

Dallas, Texas


Kay Stephens can be reached at news@penbaypilot.com

 

BELFAST — Mark Kelly likes to joke around. Several months ago, he was busting on a good friend of his, Christy Monroe, when she’d finally had enough of his guff and called him out on it.

“I’m going to make up a bumper sticker calling you a jerk,” she said.

She made good on her word and for awhile there, it caught on. A lot of people in the Midcoast were seeing “Mark Kelly is a jerk” stickers all over town. There was even a Facebook page dedicated to it. But did it bother Kelly? Nah.

“I think most people get the joke,” he said.

Kelly is an artist whose work focuses primarily on drawing and currently has an exhibit called Murmuration on display at Chase’s Daily restaurant in Belfast. The exhibit features a large mural and several pen and ink drawings of birds, one of his favorite subjects.

“I kind of have a long running fascination with them,” he said.

Toward the back of the restaurant, where all the farmstand produce is, an abstract series of his pen and ink drawings hang against the white wall. Made up of intricate black dots, they appear to be patterns of shapes and Kelly explains they are bird studies. More specifically, they are the patterns one would see in a flock of starlings. Each drawing represents a different way the flocks come together and soar through the air. 

“I started the series based on some videos I was watching,” he said. “They group together, like 5,000 birds, and fly in these patterns. Then, I started doing my own version of them, drawing randomly to see where it would take me.”

This is his first show at Chase’s Daily but he regularly shows his work throughout Belfast, often at Aarhus Gallery, where he is a founder and copartner.

“When we started Aarhus, we wanted to do something different, because there are a lot of galleries that are very traditional, very tourist-driven,” he said. “And that’s exactly what we didn’t want to do. Our idea was to show our own work but also to also invite other artists for group shows or for solo missions. We also like to feature music, plays and writers.”

A multi-talented freelance artist, he also plays percussion and turntables in an improvisational experimental music project and has been DJ-ing for about 20 years.

“I do a lot of reggae, a lot of vintage Jamaican music,” he said. “I think some people like it, but some people aren’t into it. When I go out, I really appreciate hearing music that I’ve never heard before, so that’s why I play it.”

True to his irreverant nature, he’ll be teaching an adult ed class in the fall titled “Not Your Average Art Class.” This is an understatement. Billed as a class to “broaden students’ ideas of seeing and art-making through experimental techniques and traditional exercises,” Kelly said he plans to use alternative materials, such as fireworks in his upcoming class.

Yes, fireworks. Obviously this won’t be happening in a classroom.

“I do a lot of stuff with fireworks and burning paper in order to do abstract drawings,” he said. “I’ll set up the fireworks to explode over the paper and let it do its thing. The idea in this upcoming class is to shake things up. I want to encourage students to bring their own alternative materials into the class. It’s okay to screw up. It’s okay to make crappy art, at first. It’s all part of the process to make something good in the end.”

The class starts Sept. 18 and runs through RSU #13 Adult Ed.  For more information on Kelly visit his Aarhus page.


Kay Stephens can be reached at news@penbaypilot.com

 


Q: What’s something about you that not many people know?

A: I’ve actually been tumbled in a dryer. In college, I played softball and we were cleaning our uniforms. We were in a room with an industrial dryer. I was sitting in one for the fun of it, when my friends decided to play around and shut the door and pretend that they were going to start it, but then they actually did hit the button. I was in there for two times around before they got me out. I was kind of bruised up, but I was really mad when they threw in the cling-free sheets.

-Chris Presspare

Charleston, Illinois


We just like to ask people random questions sometimes to see what answers we get.

Kay Stephens can be reached at news@penbaypilot.com

BELFAST - A local’s secret is too good not to share. Chase’s Daily has a spectacular indoor farm stand at the back of the restaurant, and the harvest of summer is in full bloom. All of the vegetables, herbs and flowers come from the Chase Farm (except for the blueberries). They were featured in the documentary of short films “Meet Your Farmer” and the produce for sale is not only stunning, but incredibly affordable.

Check out the colorful array you’ll find on any given day at Chase’s Daily.

Photos by Kay Stephens

 


Kay Stephens can be reached at news@penbaypilot.com

BELFAST— A generational shift has elevated the working class bartender to celebrity chef status in recent years. No longer is the profession viewed as a “fallback job” or a waste of a good college degree. Hey Bartender, a documentary by Douglas Tirola, played in two local theatres last week, the Strand and Colonial, providing insight into the rise of the craft cocktail culture in recent years.

For those who never noticed the difference, a craft cocktail is not a pour n’ stir gin and tonic, or a slap of ginger beer into a glass of rum, squeeze a lime and voila, there you have it. About 10 years ago, the craft cocktail scene began to burble up in every part of the U.S. with an emphasis on pre-Prohibition spirits, fresh juices, herbs and added flavors like homemade bitters.

According to an article in the San Francisco Chronicle, “Every ingredient in the drink and element of its presentation — down to the glassware — can be fresh, homemade and prepared specifically for the individual drink recipe.” 

The art of the cocktail can now be found at number of Midcoast’s bars and restaurants such The Gothic, Three Tides, 40 Paper, Francine Bistro, Natalie’s Restaurant, Shepherd’s Pie, FOG Bar and Cafe and 3Crow Restaurant, to name a few.

If there is a negative, this culture does suffer a little too much from the hipster mustachioed suspender-wearing crowd and the self-professed mixologists, a term that seems to divide bartenders of every stripe. But at its core, it’s similar to the food scene; i.e., farm-to-bar, and intends to bring just as much care and attention to the design and presentation of spirits as one would expect a chef to bring to each plate going out of the kitchen.

Mike Hurley, co-owner of the Colonial Theatre, a former bartender himself, introduced the film to the small, mostly Baby Boomer crowd at the Colonial Theatre Aug. 21, followed by a quick introduction by director Douglas Tirola, who has been traveling the country promoting the film. Tirola, also a former bartender, made the film because he wanted to show the story of the rebirth of the bartender and the comeback of the cocktail. For him, it’s not just about the drink, it’s about the resurgence of the small communities that form at these places.

“I always think of having gone to these places with my parents growing up where you see the same people at the bar. And every time you went there, you had this special community and I said to myself I wanted to be part of that someday,” he said.

Tirola focused much of his film on the New York scene, where he himself, began frequenting certain places like Employees Only, a world-famous bar in New York.

“That led me into this world where people were becoming bartenders because they really just loved that life,” he said. “They said ‘Enough with 9-5 life. I want to interact with people; I want to do things with my hands and really turn cocktails into a craft.’”

Hey Bartender is an engaging film whether or not you’ve been in the restaurant/bar business. One of the primary arcs of the film follows a young guy in his 20s, Steve Schneider, an ex‐Marine turned mixologist. His story of how he got his head injury that led to his apprenceticeship as Employees Only bartender is the most compelling part of the film; you’re rooting for him. And because he is so hardworking and sincere about ascending the ladder to become a Principal Bartender, he begins to exemplify the honor of this profession.

A bartender doesn’t just sling drinks. The good ones are dedicated to giving their all 12-13 hours a day.  The film shows the perks of this swift-moving culture nationwide from saucy Prohibition-style parties to the prestigious Spirited Awards Ceremony in New Orleans, an international event for cocktail professionals and enthusiasts, where Schneider and his fellow Employees Only staff compete in splashy competitions.

In attendance with Tirola on stage after the film were two local bartenders, Mike Casby, who used to tend bar for The Lost Kitchen before he and his wife became the new owners of the catering company, Trillium Caterers, and Chris Kenney, who tends bar for Front Street Pub, Delvinos, La Vida and FOG Bar and Cafe.

“The one thing I appreciated about the film is the way it portrayed bartenders making a place comfortable for people and giving good service,” said Casby. “Raising your game in terms of what you offer and provide for people for cocktails is a natural extension of that.”

A film like this will naturally garner a lot of opinions from bartenders, because there are a variety of approaches to take to bartending. Some, like Front Street Pub, Rollie’s, Cuzzy’s, Navigator Inn, Time Out Pub, and other neighborhood bars have their share of loyal, long-time customers, whether they’re slinging Budweiser on tap or Jack and Cokes. Kinney added, “I think it’s almost cool to be a geek and that’s where the mixologist comes in. But when they’re talking about a bartender, that to me, is just old school, where we just are the hard hat version of it. This is what we do behind the bar to get it done, not to be fancy, more the hard-nosed iron worker thing of bartending.”

In that regard, one of the minor characters Hey Bartender follows is Steve Carpentieri, this kind of salt-of-the-earth owner and bartender of a place called Dunville’s in Connecticut. Dunville’s went  from  being  the  “it”  bar  in  town  to  a  place  barely  staying  afloat. In the film, Carpentieri first rejects, then entertains, the idea of craft cocktails at his bar by attending a few events at the Spirited Awards Ceremony, but the audience get the sense it isn’t his niche and maybe for a reason. It’s not a look for everybody and not all bars need to go that route.

In any case, the craft cocktail scene is alive and well in the Midcoast with more restaurants and bars opening each year using the best ingredients Maine has to offer. As for what defines our local bartenders, it depends on who you ask. Doing one’s job well, caring about one’s customers and giving excellent service — no matter what bar you go to — has been pretty much the norm in just about any place you’ll set foot into around here. We’re lucky that way.

To see what kind of craft cocktails Midcoast establishments have been serving up, follow Stephens Penobscot Bay Pilot series “What’s In That Cocktail” on Pintarest.

To see more articles on local filmmakers, check out: ‘Anatomy of the Tide’: Raising money in Maine and getting a major motion picture made in Maine


Kay Stephens can be reached at news@penbaypilot.com

 

 

Welcome to our summer series that provides a 24-hour guide to the Midcoast for a variety of personalities, crafted by locals who know this place inside and out. You're not going to see the most expensive and the most obvious choices here. What you will find is the best of real Maine — where to go, where to stay, where to eat and drink.

CAMDEN - You of course, own a Leatherman, enjoy the piney-pungent smell of your own pits and know that there are at least three definitions for the word “gators.” To you, an entire day of sleeping, eating and bathing outdoors in Maine is not a punishment; it’s a pilgrimage. So reach for the Dr. Bronner’s, dunk in the river and lather up, we’re taking you on a 24-hour trip to experience the best outdoorsy, pine-needled adventure that Camden has to offer.

 

Morning: Rise And Shine Darlin'

For the truly outdoorsy

At the heart of it all lies the gem of Camden Hills State Park, with 5,700 acres and 30 miles of hiking trails, which offers a terrific amount of diverse topography, taking you to mountaintops and back all the way down to the rocky ocean’s edge. The campground has more than 100 individual sites to choose from, complete with bathrooms and showers with hot water. It is arranged to allow each camping site a certain amount of privacy. For you, mountain man or woman, breakfast is likely to be simple: a handful of GORP and Gatorade before you head out on your journey.

For the semi-outdoorsy (you like to wake up in a real bed and eat a real breakfast)

We offer Abigail’s Inn, right near the center of town for those who want to “kind of” rough it. Innkeepers Kipp and Beth Wright are the perfect hosts for this particular series. Both hike and kayak regularly (and can show you to some great kayaking lake portage points) and the back door of their inn leads right to the Mount Battie trail which is a relatively short (1/2 mile), but very rewarding hike up the south-facing side of the mountain. Once up there, you can connect with the 30 other hiking trails of Camden Hills State Park. As for breakfast, Kipp said: “They are pretty big. We like to load up our guests with lots of calories. We do a full service breakfast, typically a main course, fresh fruit side dish or baked dish, bacon and baked goods. An example of some of our breakfasts include pumpkin mousse with eggs, biscuits and seared smoked ham, or poached eggs with roasted tomato, or French Toast soufflé with fresh fruit topping. We even have gluten-free pancakes if they want that.”

 

Midmorning Activity

First, a quick detour into town to get provisions for the next few hours. The Camden Deli is the best place for freshly made-to-order sandwiches, which you can take with you. Across the street, Boynton-McKay also offers cold wraps, grab-and-go meals and gluten free options. But if you want our advice, go to the market in the center of town, French and Brawn Marketplace and get what we call The Snack: Little Lad’s popcorn, a couple of hard boiled eggs, St. Andre triple cream cheese, apples, pistachios, and a fresh baguette. F&B (as locals call it) also offers smaller, individual chilled wines, champagnes and beer for easy packing. Or just go for the big bottle of chilled wine and snag a couple of coffee cups. All the necessary food groups!

The Maine Trail Finder maps show you where you can pick up a trail within Camden and begin enjoy a leisurely hike at an average of about 2 to 2.5 hours. We recommend the Mount Battie Trail, which offers some incredible views of Penobscot Bay—or if you’re at Camden Hills State Park, take the Megunticook Trail, the most direct route to the park's finest views. It will take around an hour to cover the one mile distance, as it ascends nearly 1,000 vertical feet, with moderately steep segments in the upper section.

 

Lunch Time, And You're Starvin' Like Marvin

If The Snack at the top of the mountain didn’t fill you up, in the parlance of Hobbits, you are due for some secondsies. We recommend Mount Battie Take Out, a tiny roadside joint on Route One across from the Camden Hills State Park and next to Beloin’s Motel. This under-the-radar gem is open seasonally, but owners Gary Oliver and Kevin DeFoe (two of the nicest guys you’ll ever meet) offer top-notch take out using the freshest seafood and produce Maine has to offer. Try the combo baskets (fried clams, shrimp, and scallop) or the homemade clam chowder or lobster rolls. The haddock sandwich, reasonably priced, is undeniably excellent, crispy, flaky and fresh. If you’ve never had Maine ice cream, they also offer Gifford’s super-rich old-fashioned ice cream, too.

 

Mid-Afternoon Activity

Breakwater Kayak LLC is owned and run by Mark DiGiralamo, a true outdoor enthusiast, who knows these waters like the back of his hand. Mark has worked for 10 years as a registered Maine sea kayak guide in Rockport before deciding to start his own company in 2000. His love of guiding includes a passion for teaching others about the marine life, birds, and plants of this area using the freedom and mobility of a sea kayak. He runs a two-hour Camden Harbour tour, which lets you paddle amongst the tall-masted schooners and recreational boats in the harbor before setting off for the nearby Curtis Island and its historic working lighthouse. Mark’s specialty is pointing out seabirds and harbor seals, and other wildlife. “It’s very peaceful,” said DiGiralamo via a Historic Inns of Rockland Maine blog. “The physical motion of moving yourself across the water in the harbor and being with wildlife swimming and flying all around you is very calming. And sometimes exciting. You might see an osprey diving directly in front of you or a seal popping up nearby.”

 

For Kicks, Try This

When you get your land legs again and just want to chill a bit after your heavy outdoor activity day, find a shady spot in the Camden Harbor Park and Amphitheatre and plop down. Fieldstone, brick, grass and native trees and shrubs weave their way throughout the Amphitheatre adding to its French-inspired Art Deco landscape design. Take a snooze if you want, nobody will bother you.

 

Happy Hour Activity

Little known local fact: when you ask for the coveted outdoor seating at Graffam Brothers Harborside Restaurant with the brilliant harbor views, you don’t have to order a full meal in order to sit there. “Anyone is welcome any time to come out on our deck and just have a cocktail,” said Carly, one of the servers. They offer a full bar as well as local brews on tap. And it’s the best spot in Camden to watch the schooners come in from one of their afternoon sails.

 

Dinner Time And What To Do After

After a full day, we’re going to send you back outside—this time to Atlantica Restaurant, right on their back deck overlooking the harbor. They favor the fesh and local vibe, with small menus that are an ideal way to eat light, such as their Hot & Sour Maine Shrimp and Crab Soup ($9) and Cheese Boards with Hahn’s cheese, unfiltered Maine honey, nuts, vegetable pickles and flax seed crackers ($14).

I don’t know about you, but after the massive day you’ve had, I’d be toast. If it happens to be a Monday night, the Camden Harbor Park and Amphitheatre shows outdoor movies in the grass or jazz in the park—an awesome way to wind down your night.

 

The Morning After

Time to shove on, but there's one more place you need to check out to complete your 24 hours and The Smoothie Shack, the little red food truck on Elm Street, right in the parking lot of the Midcoast Adventures Rentals — you can’t miss it. For around $6-7, they offer 100 percent all-natural fruit smoothies with no added sugars or dairy, such as the Berry Good smoothie, filled with beets, arugula and spinach, red chard, blueberries, strawberries and apple. That’ll get you feeling right proper again.

Follow our Vacation - Staycation: The locals' Guide to the Midcoast on Pinterest.


Kay Stephens can be reached at news@penbaypilot.com.

Paul Doiron’s Massacre Pond is his fourth book in a series of crime novels featuring game warden Mike Bowditch and is set in Washington and Hancock counties. He’s won multiple awards for his books including the Barry Award, Strand Critics Award, and the Maine Literary Award for crime fiction.  Doiron, who is the editor-in-chief of Down East and is a Registered Maine Guide, lives in the Midcoast and and has been on a book tour all summer.

A summary of Massacre Pond follows:

On an unseasonably hot October morning, game warden Mike Bowditch is called to the scene of a bizarre crime in Eastern Maine: the corpses of 10 moose have been found senselessly butchered on the estate of Elizabeth Morse, a wealthy animal rights activist who is buying up huge parcels of timberland to create a new national park. What at first seems like mindless slaughter — retribution by locals for the job losses Morse's plan is already causing in the region— becomes far more sinister becomes far more sinister when a shocking murder is discovered and Mike's investigation becomes a hunt to find a ruthless killer. In order to solve the controversial case, Bowditch risks losing everything he holds dear: his best friends, his career as a law enforcement officer, and the love of his life. The beauty and magnificence of the Maine woods is the setting for a story of suspense and violence when one powerful woman’s missionary zeal comes face to face with ruthless cruelty.

We caught up with him to get a sense of where he culled his real-life material from.

Q: As a narrator, you good-naturedly rip into Maine caricatures with an equal-opportunity finesse; e.g., the New Age hippie; the rich, arrogant doyenne; the good ole boy gun-toting poacher; and the white Passamaquoddy wannabe. How have Maine folks both native and from away reacted to your characters so far?

A: Mainers seem to respond favorably to my characters since they recognize them as people we all know or have observed at country fairs or in grocery stores. One of the important things for me as a writer is communicating what it feels like to be in Maine, not just in term of describing the scenery but also capturing the distinctive subcultures you find around the state. I've had readers "from away" tell me that some of the characters strike them as grotesque. I always wish I could bring these people along with me while I'm doing my research. They'd realize how much I scaled back the eccentricities of real people I've encountered here.


Q: Your main character, Game Warden Mike Bowditch, seems to come down right smack in the center of a ripped-from-the-headlines controversy of the millionaire environmentalist character (*cough* Roxanne Quimby *cough*) and her desire for a "forever wild" national park vs. the loggers, sawmill workers, hunters, camp owners and others who've used the land for their own purposes going back generations. So, the million dollar question is, do you share Bowditch's neutral perspective, or do you personally come down one side or the other on the controversy?

A: The truth is that in order to decide how I felt about a North Woods National Park, I had to write an entire novel about it, which means that I don't have a succinct answer for you. That may sound like I'm avoiding the question, but it's a complicated subject. I did my best to grapple with all the pros and cons in the book, and I bet some readers will conclude I'm a proponent while others will be convinced I loathe the idea. I would have liked to see the Legislature fund a feasibility study of the park with as much urgency as they did with the East-West Highway. I mistrust people who are afraid of information. In general, I'd like to see more public land in Maine — although I'm more concerned by the dearth of coastal access here.


Q: Your setting is primarily the back logging roads, woods and lakes of Washington and Hancock counties. Did you spend a lot of time in this region researching the book? 

A: For the past decade or so I've visited the Grand Lake Stream a couple of times per year. I have friends who own property up there who are pretty outdoorsy, and I've spent a lot of time in the bow of Grand Lakers, searching for mushrooms after rainstorms. People tend to think of the Maine Woods as one thing, but there are, in fact, many different kinds of woods — from Central Hardwood Oak Forest ecosystems to Coastal Plain Basin Swamp ecosystems. Each is distinctive and characterized by different species of trees and other flora, as well as other natural features. For instance, in Washington County, you have these amazingly huge glacial erratic boulders everywhere. Game wardens are closely attuned to the natural world, and I do my best in the books to suggest the differences they perceive as they range from one ecosystem to another.


Q: I read from one of your reviews that Massacre Pond was partly inspired by the unsolved 1999 "Soldiertown moose massacre," the worst wildlife crime in Maine history. Where did these original moose massacres happen and what was your theory on this unsolved case?

A: In 1999, guides and game wardens discovered the corpses of nine moose, two deer, and an eagle along logging roads northwest of Moosehead Lake. The animals had been shot with .22 rifles and left to rot where they'd fallen. It was a senseless slaughter, and people up that way are still angry about it. The wardens who investigated the massacre started from the presumption that the animals had been killed as an act of revenge against the Warden Service, but that doesn't seem to have been the case at all. The statute of limitations has run out and no one will ever be punished for the crime, but one warden, Mike Favreau, wouldn't let the matter rest. He kept asking questions, and eventually he identified two petty criminals from York County who had been staying at the Birches in Rockwood at the time who admitted to killing other moose while driving around at night and drinking. They deny that they committed the crimes in Soldiertown, but it defies belief to the think that there were other eco-vandals in the Moosehead region that same week.


Q: Can you tell us what real places inspired your character, Elizabeth Morse's log "mansion" called Moosehorn Lodge, the fictional local hangout "Pine Street Store," and the center of the book’s controversy, Moosehorn National Park?

A: The Pine Tree Store is a real place in Grand Lake Stream, and it's very much the hub of activity in the village. As a reader, I enjoy visiting locations I read about in novels (I did my own Hemingway tour of Paris, where I tried to find as many of the landmarks as I could from The Sun Also Rises and A Moveable Feast.) But as an author, I hate to feel constrained by insignificant details like whether there is a gravel pit in a certain place when I want to set a scene in one. I try to mix up real locations with my own creations. So there is no Sixth Machias Lake, for instance, or a Little Wabassus Lake. Moosehorn Lodge is based on a couple of very expensive lakeside homes I wrote about for Down East years ago when I was an associate editor assigned to the architectural beat. It also bears a slight resemblance to the El Tovar lodge at the Grand Canyon, where my wife and I honeymooned.

Q: How long have you lived in Maine and where are some of your favorite places to simply "be" in this state?

A: I'm a Mainer, and except for a few brief intervals when I lived out of state, I have spent my entire life here. Being the editor in chief of Down East has given me the license to explore just about every corner of Maine. (It's easier for me to name the towns I haven't visited as opposed to the ones I have.) I have many favorite places, including Washington County's Bold Coast. I've spent a lot of time in the forested mountains of western Maine, primarily between the Bigelows and The Forks, and feel at home in that part of the world. I love sleeping in a cabin in the woods on a rainy night. Monhegan during migration is another favorite destination, and the Scarborough Marsh, where I spent so much time as a boy fishing for striped bass.


As part of Rockland independent bookstore hello hello’s 2nd anniversary party on Saturday, Aug. 24, Doiron will be signing copies of Massacre Pond from 2-4 p.m. For more information, visit his Facebook page. To find out more about the book, visit his website.

• For archives of Real places in Maine that inspire literary fiction, visit Penobscot Bay Pilot's Pinterest page.


Kay Stephens can be reached at news@penbaypilot.com
 

CAMDEN — The Maine Writers & Publishers Alliance threw a swank literary party Aug, 17 at the home of best-selling author Tess Gerritsen in Camden. The 1920s Jazz Age themed party was on the oceanside lawn and replete with talk, tunes, and giggle water.

Guest authors included: Richard Blanco, Jennifer Finney Boylan, Sarah Braunstein, Brock Clarke, Susan Conley, Ron Currie, Jr., Paul Doiron, Richard Ford, Tess Gerritsen, Lily King, Roxana Robinson, Lewis Robinson, Richard Russo, Jeffrey Thomson, Lily Tuck and Monica Wood. While it was aimed at giving folks a chance to talk with their favorite author, the party raised funds that will further the MWPA’s initiatives and programs, including  writing retreats, workshops, scholarship opportunities, publications, websites, and ongoing statewide advocacy and activities.

Here’s a glimpse into the literati having some fun....


Kay Stephens can be reached at news@penbaypilot.com

ROCKLAND — Next week, a documentary titled “Hey Bartender” will be whirling through the Midcoast, landing in Rockland Aug. 20 at the Strand Theatre and the next night, Aug. 21, at the Colonial Theatre in Belfast.

Why is this special? Because for the many bartenders, wait staff and caterers who serve our communities through the crazed summer and fall months, right straight through the quiet (and poor) winter and spring months, this documentary gives a voice to the many who choose this lifestyle.

Director Douglas Tirola puts it much better:

“I wanted to show how people view bartenders and how bartenders view themselves. What are bartenders’ dreams, aspirations; what goes through their minds as they make drinks and what they think about at the end of the night when they are on the way home by themselves?

“I also wanted to articulate an understanding that having a working‐class job is something that cannot and should not be stereotyped. Working with your hands doesn’t mean you are limited by your intelligence, your education, your worldview or what you make over the course of your life. I think in movies we often view people who have jobs traditionally considered working class, like a bartender, as someone who had no other options, or as a result of some mistake or failure had this as a last, viable career choice. I wanted to show that people who work on their feet and with their hands everyday, or as I like to say, the sort of people who shower after work, can lead fulfilling lives and have successful careers. I think this portrayal of the working class is severely missing in contemporary films.”

Of the two principal bartenders the documentary follows, one, named Steve Schneider, will change your view of what it means to be a bartender in today’s culture. After finishing at the top of his class in the Marine  Corps., becoming an intelligence specialist and volunteering for an elite unit headed for Afghanistan, Steve had a tragic accident and suffered a severe head injury.  His military  career ruined, Steve took a job behind the bar near where he was stationed in Washington, D.C. Steve’s appetite for learning and passion for the mixology movement led him to New York City, and a position as an apprentice bartender at the world‐famous cocktail bar, Employees Only. This past year, Steve has set records in a global speed bartending competition, as well as won an international cocktail competition in New Zealand.  He has been featured in numerous magazines and television shows for his cocktails, including Zagat’s inaugural 30 under 30.

“Hey Bartender” had its world premiere at SXSW Film Festival in March and just had its theatrical release in New York City June 7 — to great success. The documentary is playing in theaters all over the U.S. throughout the summer.

Following the Aug. 20 and Aug. 21 screenings, there will be Q-and-As led by director Douglas Tirola and a few local bartenders. The show at the Strand Theatre starts at 7 p.m. and at the Colonial Theatre the show starts at 7:15 p.m.


Kay Stephens can be reached at news@penbaypilot.com.

PROSPECT – Yarrr, the pirates be back! On Saturday, Aug. 17, at Fort Knox, the Pirates of The Dark Rose will be plundering the village with swashbuckling sword fights, duels, cannon fire and a pirate ship attack. The pirate ship Must Roos will let loose cannon fire on the fort as she sails the waters of the Penobscot River, in search of booty.

For a little sampling of what to expect, watch our short videos of their daring adventures on sea (lots of cannon fire and screaming!) and on land (lots of sword fighting and screaming!) If you’re curious to know how these pirates got their mad swashbuckling skills, read our Pilot article on Theatrical Violence, Ho! Ha Guard! Turn! Parry! Dodge! Spin! Fwannng!

Saturday’s lineup includes: 11 a.m. Captain Crudbeard’s Cannon Shooting Lesson

12 p.m Pirate Parade and Costume Contest

1 p.m. Pirate Ship Attack with Cannons, Flintlocks, and Cutlasses in front of the Fort

1:45 p.m. Talk Like a Pirate Contest

2:15 p.m. Treasure Hunt

3 p.m. Pirate Weapons Demonstration with grappling hooks, pikes, boarding axes, whips, swords, pistols, and blunderbuss.

Regular Fort admission and a $3 per person event donation requested, because pirates love their gold! People are encouraged to carpool to the Pirate Day events at the Fort due to limited parking.


Kay Stephens can be reached at news@penbaypilot.com

CAMDEN — Unless you're looking closely, it’s easy to miss the original Maurice Sendak prints behind the counter at Bubbles and BEAN Children’s Consignment, located in the Reny’s Plaza in Camden and owned and operated by Andrea Palise. 

Christine’s Gallery, a frame shop in Linconville, provided the Sendak prints, among other framed prints on the wall. “Sometimes people will leave original artwork at Christine’s store to be framed and they just never come back, presumably because framing is expensive,” said Palise. “So she gave us three rare vintage prints from an original 1963 print book, including a Where The Wild Things Are print, which has already sold. This print book contained 17 original Maurice Sendak prints—there were maybe a few thousand copies of this print book sold at the time.”

According to Palise, on eBay, the Sendak prints might normally go for $500 and on art dealership websites, for thousands of dollars. There are two Sendak original framed prints left, each under $200. “Basically, this is an unbelievable steal,” she said.

The interesting thing is that Palise, whose primary business is selling children's clothes and other items, isn’t an art dealer nor wants to be. She said she just sees consigning these pieces as a way to help fellow artists and crafters in her community. When they're gone—they're gone.

Individuals and artists like Christine Buckley-Clement of Christine’s Gallery find Bubbles and BEAN’s store a perfect fit for artistic consignment items with a children’s theme, which wouldn’t necessarily appeal to her own older clientele in Lincolnvlle. In addition to the one-of-a-kind prints, Buckley-Clement mats and frames custom pieces spelling children’s names using the 1926 Mother Goose Alphabet and prints from Mary Englebright, a famous children’s book illustrator in the 1970s.

Palise accepts unusual and individual art and crafts that would fit well in a child’s room, such as watercolors from another local artist and a series of origami mobiles that another new mom did while staying at home with her young child. “These came from a lovely young girl. She doesn’t really get to go out at night so she makes origami. It’s her hobby,” she said. Palise points to another display she accepted from another mom, of handmade pacifier holders, each artistically rendered.

“It just comes out of the woodwork, sometimes,” she said. “It’s important to me to be able to be a storefront for these women because there is so much diversity to this work and so many talented people in this community, from toymakers to knitters to these unusual origami mobiles. We like to offer something different than your Wal-Mart clothing,” she said.

In a way, Bubbles and BEAN sort of functions like a bricks and mortar Etsy for children's crafters in the area. “I give more than a fair percentage to these crafters because I love having their products in here,” said Palise. “Especially in our area with the tourists—they love it. I could just do clothes, but it’s all about the kids. In our homogenized world where everything ends up looking the same, this is made in Maine, local and it’s fun for the kids and fun for the moms. They know when they see what crafts we’re offering that this is not made in China and doesn’t get distributed by thousands of stores.”

For more information visit Bubbles and BEAN's PenBayPilot Affiliate page.


Kay Stephens can be reached at news@penbaypilot.com.

BELFAST — The room or garage set aside for band practice should never be spotless, according to musicians. If it is, that’s a sure sign that the music is going to be too sanitized. A little too polished—a little too adult.

So when I find Hunter Finden, 18, Wes Sterrs, 19, and Molly Samuels, 18, the Belfast trio who propel the punk rock band Jim Dandy, I’m glad to find myself in a familiar place I’ve been many times in my life: a run down, off-the-kitchen alcove with bright yellow walls sporting a faux sponge finish and a single wall decoration, an American flag. There’s a piano against the wall, musical instruments, amplifiers and pedals scattered around the bare floor. The dingy brown couch is completely covered with stuff—no place to sit but on the arm of it. And I’m fine with that.

Before getting down to talking, the band members first launch into a cover of Pixies Where Is My Mind.  The song is tight, brash and loud. Kind of like an ape beating on its chest. They don't know what to make of me; they’re fairly new to this interviewing thing, with two of them just out of high school. It takes a little time to break through the awkward barrier of having someone sitting there evaluating them, which they know and I know, but we’ll get over it. A couple of songs later, including one of their originals, called Milk Street, helps them ease into it.

Out on the back deck, I pull up a cooler and sit down. Time to get to the talking part. Sterrs and Finden had been playing together for a couple of years when they decided to form a band called Jim Dandy. Those in the Midcoast familiar with Opera House Video will know there is a real person in Belfast named Jim Dandy as well; he happens to own the video store.

“The band name had everything to do with the real Jim Dandy,” Finden explained. “We named it after him.” They’ve said the real Jim Dandy was pleased with this. “Jim’s just awesome, he’s the coolest dude ever,” said Finden. “We’ve known him since we were kids,” added Sterrs. “We’d go into the Opera House and he’d always give us CDs and movies to watch.”

“He’s like Santa Claus,” Samuels broke in.

“Like Santa Claus, but way cooler,” added Finden.

As with most fledging bands, they experimented with their sound (blues rock, psyche rock), their band name and revolving band members before gelling into their authentic sound, punk rock. Asked what they wouldn’t catagorize themselves as, Sterrs and Finden rapid fired off adjectives: “Rock and roll. Dub step. Folk. Easy listening. I wouldn’t call it hi fi. Not New Wave. Not shoegaze.”

What is shoegaze? “It’s like late ‘80s/’90s rock and roll, like The Smiths,” said Finden. “You put an echo and reverb on everything. It’s like you're in a dream, really spacey, alternative rock.”  What’s interesting is they’ve had a lot of time to define exactly what they are by what they aren’t. Finally they agree on what it is: “Lo fi sound, garage punk style,” said Sterrs.

The band finally got grounded when they asked their friend, Samuels to join. She was a constant presence at their practices anyway, hanging around listening as they wrote their songs.  ‘We originally wanted Molly as our bassist, but she wouldn't be in our band,” said Finden.” At this point, Samuels, curly-haired and bespectacled, breaks out into a wide, spontaneous grin.

“Because I didn't know how to play the bass! I played it in sixth grade and never played it again and I was too scared because they’re intimidating musically,” she said. 

The guys don't like the term ‘groupie.’ To them, she was their Dandylion. “We eventually convinced her to be part of the band and taught her to play bass,” said Finden.

Now, the three of them have their game down and are about to drop their first self-produced and self-titled album at the end of the summer. It was done, not in a studio, but the old indie way of making punk music, with the barest of instruments and equipment, using an Mac and Garage Band to layer in individual tracks. At first, the band bristles at the word ‘indie’ because in this generation, the word has been mangled and maligned by hipsters, but its true essence derives from creatives who used their energy and talent to create something from nothing. Indie artists don't sit around waiting for opportunities to happen; they make them happen with whatever they can beg, borrow or steal. Besides their sound, this is their ethic: to organize shows or places to play on their own. Or, like in the case of the Belfast Musical Festival, not bother going through the registration process to be able to play in a pre-ordained area, but to simply throw their instruments out on a sidewalk and just play. That's why it’s punk, not folk rock.

All self-employed, the band members have worked continuously to put the final touches on the album. “In reality we threw this thing together very, very quickly,” said Sterrs. “We are trying to release two albums in one year. This sort of fits into the whole 'indie' thing because we aren't following that linear model that most bands follow of taking two years to polish a perfect album. It took us less than a month to produce the whole debut album and we're going to start the second one as soon as we finish the first.”

They describe it is a concept album, telling a story, about a character named Jim Dandy—but not the real Jim Dandy—who gets kicked out of his house and “is convinced by his dog to kill his girlfriend.”

“It’s a parody. It has nothing to do with the real Jim,” said Finden, with a smile.

“It’s like Frank Zappa’s Joe’s Garage,” added Sterrs. “We have audio skits and conversations with characters in between the songs which tell the story.”

On Aug. 15, they’ll be  playing at the Waterfall Arts Fallout Shelter with Pleasant Street (from Blue Hill) and Earth Person (from Bangor).

“There’s not a whole lot of places to play around here and we just we wanted to throw a show,” said Sterrs. “This will be the second show that we've thrown at Waterfall Arts in hopes of getting the ball rolling on consistent live music in Belfast. Doors open at 6:15 p.m. with a $5 cover.”

For more news of the band’s progress, keep up with Jim Dandy on Facebook or Band Camp


Kay Stephens can be reached at news@penbaypilot.com

Wes Sterrs is an occasional contributor to Penobscot Bay Pilot.

Welcome to our summer series that provides a 24-hour guide to the Midcoast for a variety of personalities, crafted by locals who know this place inside and out. You're not going to see the most expensive and the most obvious choices here. What you will find is the best of real Maine — where to go, where to stay, where to eat and drink.

MIDCOAST — You love the smell of fresh hops, you snort when someone offers you a Pabst Blue Ribbon and your ultimate vacation centers around a Beer Trail. Maine’s burgeoning craft brew movement began in 1986 (some say on par with Seattle’s beer scene) and is now home to more than 30 breweries and 200+ brands. Josh Christie, author of Maine Beer: Brewing In Vacationland told us: “The Midcoast is a wonderful microcosm of Maine's three decades of craft brewing. It has breweries like Andrew's doing traditional English ales, the style that launched the revolution. And it has an ‘extreme’ brewer in Marshall Wharf, which is at the forefront of Maine's continuing beer revolution. With strong support of these (and other) Maine breweries at beer stores and restaurants around the region, it's a fantastic place to explore the panoply of Maine-made beer.”

Morning: Rise And Shine Darlin'

Our beer lovin’ sources tell us that the best place to forge your own Maine Beer Trail on a 24-hour timetable is to stay at the The Captain Lindsey House Inn in Rockland, owned by innkeepers and captains Ken and Ellen Barnes. Before they were inn owners, they were full-time captains of the windjammer Stephen Taber. A quick bit on their history here. This adventurous pair have high spirit, share a lot of laughter and make you feel right at home — and their breakfast buffet is outstanding. Guests are invited to pick and choose from yogurt, homemade granola, assorted cereals, muffins and breads, cottage cheese, hard boiled eggs, assorted fresh fruit, juice, eggs to order and/or waffles. If you happen to be there on a day they make Eggs Benedict with asparagus and thick cut bacon, consider yourself lucky — for you will be well fed and ready for your journey.

Midmorning Activity

Road Trip! This one’s going to require a designated driver or, if you feel like having someone else do the driving, contact All Aboard Trolley, which offers custom van trips at $85/hour (plus gratuity) and/or for large groups (8 to 10 people), a coach at $125/hour (plus gratuity). We’re carving out a section of Maine Brewers Guild’s Maine Beer Trail to start you off right. This ride up is a scenic coastal one-hour trip from Rockland and the first place we’re gonna hit is Penobscot Bay Brewery, in Winterport, which offers tastings Tuesday-Saturday, 11 a.m. to 5 p.m. They offer seven hand-made brews ranging from a honey ginger lager to a stout ($3 for 6 samplings). They can also do tours by appointment or by chance, but call ahead first. Pro tip: under Maine law, they can't sell you beer into an unlabeled growler—but they do have growlers for sale.

Once you’ve gotten your fill, it’s time to toddle back down the coast for the rest of the Beer Trail. Next stop, Belfast and home of Marshall Wharf Brewery. Marshall Wharf is the quirky kid in the bunch, combining powerful brews with a flip sense of humor like their Ace Hole pale ale and their Cornholio Welsh inspired blonde ale.  They also offer tastings Tuesday-Saturday, 11 a.m. to 4 p.m. You can have up to eight choices of their handcrafted brews (3 ounces for $1 or 7 ounces for $2.50). They also do a “No cash for a splash”—that is, if you just want a mouthful, it’s complimentary. Like Penobscot Brewery, they also offer growlers. For future notice, at 4 p.m., next door when their Three Tides restaurant opens, you can get a sample paddle of any five beers at the tasting (3 ounces each for $6). But, we only have 24 hours and we gotta keep trucking.

Lunch Time, And You're Starvin' Like Marvin

Forget the shmancy places, the Craft Beer Lover will love a no-nonsense booth-and-tables joint like Rollie’s Bar and Grill (37 Main St., Belfast). With a simple, affordable menu, they sport a surprising amount of serious craft brew on tap. Pair with the Ale Battered Haddock sandwich ($9.49)  or the Bacon and Blue Cheese Burger ($7.99). Rollie’s staff always hustles and they keep the mood light. Rollie’s Pro Tip: When you hear the clanging of the bell, that's not Clarence getting his angel’s wings — it’s probably because somebody tipped 20 percent.

Mid-Afternoon Activity

Down the coast we go. It’s now time for a scavenger hunt. Along with the first two breweries you visited, a few other notable Midcoast breweries belong on this Beer Trail. These are: Belfast Bay Brewing Company in Belfast (which doesn’t offer tastings) and Liberty Craft Brewing Co. (off the beaten path). To accomplish this scavenger hunt, you’re going to have to gunk around to several off-the–radar and little known places in the Midcoast, such as Vinolio (an olive oil, beer and wine tasting room on Belfast’s Main Street) and the Belfast Co-op, (a community-owned health food store in Belfast with a killer craft brew section in back.) Here’s your scavenger hunt List. Try to find:

  • Belfast Brewing Company's Lobster Ale
  • Andrew’s Brewing Company’s English Pale Ale
  • Marshall Wharf’s Ace Hole
  • Penobscot Bay Brewery’s Half Moon Stout

On your way back to Camden, stop by Northport Beverage in Northport: Home of the Exotic Beers. (You’ll have to Google Map it as it’ll sneak right up on you on Route 1, heading south.) This is probably the most unassuming gem of a place Craft Beer Lovers will ever find. It looks like a redemption center (and part of it is) but the next building boasts more than 350 different kinds of craft beer from all over the world to choose from. And, you can buy just one and don't have to purchase the whole four- or six-pack. When you hit Lincolnville Beach, stop by stop by Andrew’s Brewing Company’s latest venture, a brewpub next to the Lobster Pound. When you get to Camden, duck into Lily, Lupine and Fern’s beer cooler in the back room, or Cappy’s Chowder House store or even Stop ‘N Go, the one-stop gas n’ shop for locals, which carries an interesting selection of Maine brews in the back cooler.

For Kicks, Try This

By the time you get back to Rockland, it will be afternoon. If you feel the need to chill out, go back to the Captain Lindsey House Inn. They have a guest refrigerator in which you can store all of your scavenger hunt items. You can drink anything you’ve brought with you on premises, so mosey on out on to their back patio surrounded by lush gardens. They’ll even put out an afternoon snack for you such as fruit and cheese plates, nuts, and homemade baked items like scones and cookies.

Happy Hour Activity

Once you’re feeling refreshed, all you need to do is take a stroll out the front door and you’re right back on Main Street, the heart of where the craft beer happy hour scene has taken off in recent years. You can do a mini-crawl, by hitting 3Crow Restaurant and Bar and FOG Bar and Cafe, two relatively new Main Street gastro pubs that take their microbrews seriously. “We sourced some of the best beers in the world, including those in Maine, and we made a special effort to get those on tap," said FOG co-owner Ashley Seelig. Don’t forget to check out the latest brew pub to hit the Rockland scene— (see our story here).

Dinner Time And What To Do After

We’re going to send you a little out of the way for dinner, but it will be oh so worth it. At this point we recommend a taxiJoe’s Taxi has the lowest prices in town. About 15 miles inland in Union, The Badger Cafe & Pub, run by Mike and Christy Greer, is a little slice of microbrew heaven.

By the time you get back to Rockland, Rock Harbor Brewing Co. sits just down the street from Captain Lindsey House Inn, a stumble away. They often have live music and dancing — just the perfect end to a perfect day.

The Morning After

Time to head on out, but before you leave, make sure you fill up on another excellent Captain Lindsey House Inn breakfast. After your 24 hours are up here, take what you've experienced and tasted and bring it on home with you. What's that old proverb? “Give a man a beer and you can make him happy for a day. Teach him how to home brew and make him happy for a lifetime.”

Stay tuned for our next series and enjoy your summer!

Updated for 2014

Follow other suggestions in our Vacation - Staycation: The locals' Guide to the Midcoast on Pinterest.


Kay Stephens can be reached at news@penbaypilot.com.

ROCKPORT - Every summer, Merryspring Nature Center throws a Kitchen Tour, pairing up a certain number of Midcoast homes with top Midcoast chefs and caterers. Today, we got a look inside one of the eight featured houses to sample some gourmet tastings in the kitchen.

Maureen and Rick Morse, of 40 Pascal Avenue in Rockport, allowed us to come into their kitchen (No. 5 on the tour) and check out its unique features. The roomy kitchen centers on a brick chimney with a six-burner Wolf stove at its base. Other touches include pumpkin pine wide-plank flooring, honed granite counters with subway tile backsplash, cabinetry by Crestwood Kitchens with wooden bung joinery, and milk can pendant lights.

As the tour started, we talked briefly with Chef/Caterer and Food Writer Laura Cabot, owner of Laura Cabot Catering.

What do you have offered today?

We have here a variety of tea sandwiches with a retro bent: the traditional watercress sandwich, a traditional cucumber sandwich and a smoked salmon sandwich, which is always popular. We also  have a ribbon sandwich, which is done in layers. It’s got smoked tomato mousse and watercress. They're loaded with butter, also retro. I’ve got some Acqua Panna mineral water. I like to offer something refershing to go with all that buttery goodness.

Have you always been involved with the Kitchen Tour?

Yes, I’ve been doing it for over 10 years, never the same kitchen, but always in a beautiful kitchen like this one. It’s hard to believe this used to be a barn. I love the milk can lighting—the light is fabulous in this place and I love the Wolf stove, gorgeous. I have one at home.

Talk a little bit about the flower display

These come from my garden—lots of day lilies, black-eyed Susans, Hydrangea, some Penstemon and a lot of culinary herbs I like to throw into the mix, such as dill, lettuce, kale, which is really decorative, mint and chervil.

The 2013 Merryspring Kitchen Tour takes place on Wednesday, Aug. ,7 10 a.m. to 3 p.m.  To see other featured houses and the 16 chefs/caterers on the Kitchen Tour click here. All proceeds from the Kitchen Tour support Merryspring Nature Center, a nonprofit park and education center in Camden and Rockport with 66 acres of nature trails and gardens. For further information about the Kitchen Tour, call Merryspring at 236-2239 or visit merryspring.org.


Kay Stephens can be reached at news@penbaypilot.com

 

 

 

BELFAST - Who throws a street party on a Monday night? Belfast does — the town that marches to its own beat!

On Monday, Aug. 5, Our Town Belfast will host the fifth Annual Belfast Street party from 5 to 11 p.m. on High Street (from the traffic light to MacLeod Furniture). The event is free to the public with six hours of entertainment, ticketed rides ranging from bucking bronco to a 24-foot climbing wall, food vendors, children’s area with face painting and other activities.

The musical lineup kicks off at 5 p.m with Breakers Jazz, followed by the University of Maine at Machias Ukulele Club at 6 p.m., whose members who play everything from ragtime to rock and roll, country to jazz, the traditional to the obscure.  At 7 p.m., Don Nickerson and Country Mist return to this year’s Street Party and will really heat up around 8:30 p.m. for a choreographed Soul Train routine led by Courtney Porter that folks won’t want to miss. Finally, CatchaVibe (a reggae band) takes it to the end with a highly dance-worthy set from 9-11 p.m.

While the day looks beautiful, party goers may get nicked by a few thundershowers later on in the afternoon or evening, but it will soon brighten back up to clear skies. Here is a little video from last year’s street party to show you what you can expect.


Kay Stephens can be reached at news@penbaypilot.com

ROCKPORT -  It’s unfortunate so many people perceive Edna St. Vincent Millay as this old lady, well known for reciting gracious poetry.  That might have been her persona late into her life, but it took Nancy Milford’s biography Savage Beauty to carve out the essence of who she really was, this freckled redhead with her passionate temper and burning ambition to get out of Camden as a teenager. She was just like hundreds of kids who have grown up in small town Maine, feeling that intractable pull to be elsewhere. Only Millay was a phenomenon; she didn’t just fly the nest. She took off like a 747 and left vapor trails behind.

Anyone who finds Millay’s life fascinating should check out this ongoing exhibit at The Cramer Museum (part of Camden-Rockport Historical Society) on Route 1 (on the left before Hannaford Supermarket if you’re driving into Camden.)

A laptop in the back of the room runs a continuous documentary on Millay, including a scratchy recording of her reading her most famous poem, Renanscance. Fans will be interested in hearing her reedy, thin voice as she recites this poem; it’s not something one can simply access through Hulu or Netflix.

From 1903 to 1913, Millay and her family lived in two houses in Camden, one on Chestnut Street and one on Washington Street. Several of her poems directly harken back to these places.

Mary Pilote, a poet, and lecturer of Millay’s work, said: “Camden is woven into quite a bit of her poetry. Even in Renanscance; she started to work on that when she 18 or so when she was living on 31 Chestnut Street, which is now the Allen Financial Agency. She had a hard time finishing it, kept working on it. They moved back to Washington Street in that little house and they fixed up a little studio for her to work in in the attic. She’s sitting up there in the attic, hearing the rain upon the shingled roof and finally, she was inspired to craft the end of her poem.”

Near to the end of Renanscance, when she’s been reborn from the grave, Millay writes:

The rain, I said, is kind to come

And speak to me in my new home.

Pilote believes that these lines were written in this new home of Millay this little attic studio. “That’s what every writer does,” she said. “You take your experience and it all goes into this big pot and comes out reconfigured.”

There’s the childhood chair in the corner, for example—what looks like an ordinary little chair—until you know what this simple piece of furniture might have contributed to the poet’s most famous poem: ”I sort of suspect this chair was in the Washington Street home. They didn't have a lot of stuff in the Chestnut Street home, which only had three rooms. She was already a teenager when she moved there. As you probably know, if you’re familiar with her poetry, her house on Washington Street, which was torn down and is now where the car wash place is, that really, is the inspiration behind her poem, The Ballad of the Harp-Weaver.”

An excerpt of this poem illustrates how poor Millay’s own family was:

Men say the winter
Was bad that year;
Fuel was scarce,
And food was dear.

A wind with a wolf's head
Howled about our door,
And we burned up the chairs
And sat upon the floor.

All that was left us
Was a chair we couldn't break,
And the harp with a woman's head
Nobody would take
For song or pity's sake.

Pilote explains: “Washington Street was this dilapidated old structure that they rented from a friend of the family and in her diary of those days, she writes how one winter day when her mother came home from work, she found the girls ice skating in the kitchen because the pipes had frozen and spilled all this water on the floor. So, it was a pretty terrible place. Let’s say this childhood chair was one of the ones they didn’t break to keep warm by the fire.”

Frank Carr, the Board President of the Camden-Rockport Historical Society, pointed out a doll-like mannequin made by her mother, Cora: “This is something her mother used to display some of the outfits she used to make in her tailor shop downtown.” .The lace is tattered, but the hair, with a hint of auburn on this mannequin, is real.

“Cora used to make little dolls with pieces of Edna’s hair,” said Pilote. Though she doesn’t think this particular mannequin’s hair is actually Millay’s, she notes, “Vincent used to wear her hair with a braid running around just like this.”

Without giving too much away, there is much more to see at this humble little exhibit in the back room, including handwritten correspondence from Millay (little poems in themselves) and more photographs of her childhood homes in Camden.

Carr said that this isn’t the only exhibit. For those who want to see more, visit the Camden Library and Whitehall Inn, which also retains pieces of Edna St. Vincent Millay’s life.

The Cramer Museum will host this exhibit Wednesday through Saturday 1-4 p.m, which runs until September. Group and school tours are available by appointment. Call 236-2257 or email crhs@midcoast.com


Kay Stephens can be reached at news@penbaypilot.com

 

ROCKLAND -It’s been 13 years since writer-director Joel Strunk finished his first draft of what is now a major motion picture, Anatomy of the Tide. That script placed in the top 30 of the Nicholl Fellowship in both 2001 and 2010, one of the few scripts to place twice in that scriptwriting competition.

As with all movies, it all starts with the story:

This is an intimate tale of an island boy's journey to courage.  Kyle Waterman seeks redemption from a fisherman father unable to forgive himself for the drowning death of his other son.The family falls apart.  A roving pedophile ceases the moment.  Years pass.  Kyle hides the secret well, like most children do, until a prosecutor from the mainland knocks on his door; he needs Kyle to testify on behalf of new victims too young to face a trial. A dangerous cliff on the east face of the island offers Kyle all of the courage to do this—to tell the truth—to confront his grieving father—to leave the island for for the Ivy Leagues. But to do this, he must truly understand the Anatomy of the Tide.

On Sunday, July 28,  after three years of fundraising, shooting and post-production, Strunk stood in the lobby of the Strand Theatre in Rockland, flanked by his co-producer Ryan Post and two of his principal actors, Nathan Keyes (The Kings of Summer), and Danny Flaherty (Hope Springs).

“This is just a galvanizing, indelible moment for me, personally,” Strunk said as hundreds of people—primarily investors of the film—filed inside for their first private screening. “We beat the odds. There were so many near misses, bullets we dodged—there was a spirituality in the casting process. We were hoping for one star and we got a whole cast of them. “

A fisherman, a husband and a father, Strunk has worked tirelessly to get this film made on the coast of Maine, a feat few major league producers take on, due to Maine’s lower-than-average tax incentives for filmmakers.

These last three years have been the most challenging for Strunk and his co-producer and fellow lobsterman, Ryan Post. First, there was the matter of crowdfunding the old-fashioned way. Unlike so many filmakers who use Kickstarter, however, Strunk and Post spent much of their time raising funds by meeting folks in person, working the phones, pulling in every contact they had, drumming up a few thousand dollars at a time from each investor.

This is a daring model in order to get a film made, and it has paid off. They reached 100 percent of their goal. The film reached in excess of $1.3 million dollars and counting. To date, more than 85 percent of the film’s backers come from Maine, many of them, largely in the fishing industry.

“Most of our investors came from the smaller components of the lobster and fishing industries around here,” Strunk said, noting that many were people he and Post routinely worked with and around. “It is an amazing thing that we’ve been able to accomplish—it does not elude me what this means. The gratitude and appreciation for our investors who had the imagination to support this—I’m so proud of them.”

For other filmmakers who wish to shoot in Maine, this is a success story to pay attention to.

“In Los Angles, you can’t independently finance anything. You can’t approach anyone. It all goes through the major studios,” said Strunk. “In Maine, the upside is we are not encumbered by the constraints of the film industry and independent filmmakers are much freer to make their movies here.”

With local cinematographer Daniel Stephens at the helm, Strunk and his crew shot the film over a period of five weeks in the fall of 2011 with additional principal photography shot during in 2012. Though the film takes place on the fictional island of Cliff Haven off the coast of Maine, most of the locations were actually filmed on the mainland in Midcoast Maine, including Owls Head, Rockland and South Thomaston. Locals will recognize many of the places in the film including scenes shot at Archer’s on the Pier, Slipway and Owls Head General Store. To get the island "look" for the film, many exteriors were shot on the island of Vinalhaven and one crucial scene was filmed on Monhegan Island.

“Probably one of the biggest highlights of shooting was marching through a vernal, spruce forest on Monhegan Island at 4:30 a.m. with backpacks and our star talent carrying the camera equipment like Sherpas—Gabe Basso, Nathan Keyes—all in a single cause to help me make this film,” said Strunk.

He has a written a number of other movie scripts over the years and is looking forward to focusing back on writing that the film has been released. He’s currently working on another script that has some interest in it, titled Veteran’s Day. “But right now my focus is making this film a success and that takes more than just showing up at the altar. You’ve got to go the distance.”

Long before this film was made,  Strunk cited his father, entertainer, Jud Strunk, as his endless source of inspiration. The elder Strunk who played music and had big connections in the entertainment industry in the 1970s (including a stint on Johnny Carson’s Today Show) passed away in a plane crash when Joel was young.

Now, having persevered and seen this film completely through, what would his father think if he were here on the red carpet with him?

“He had a huge affection for film, but his entertainment schedule never allowed him to fulfull his own aspirations, so I think he’d be really proud. I think he’d be crazy about it.”

To keep up with the next phase of Anatomy of the Tide as it goes into distribution, visit their Facebook page.


Kay Stephens can be reached at news@penbaypilot.com